
28 songs · Listen to the album · All the lyrics
Ashes in the Rain, Fukushima, Japan ( ITS )
Verse 1
The bones of the coast still crack at night,
Empty windows stare from salt-bleached homes,
Rainfall weeps in radioactive patterns,
Mothers whisper to silence, counting days by ghosts.
Children’s laughter trapped in broken mirrors,
Footprints fading, sunflowers shivering in dust,
Once there were lanterns bobbing in the rice fields—
Now they drift, memory embers, lost in the rust.
Verse 2
I watched the tide swallow fathers and factories,
Steel and skin peeled away in the caesium wind,
A clock runs backwards in every old schoolhouse,
Hands clutching hope, too cracked to mend.
Rumor moves through the black-iced valleys—
They say the fish learned to speak in the dark,
And we dream of blue warnings splintering the sky,
Where once we prayed, now the rivers spark.
Pre-Chorus
Count every fallen hair, tally every empty plate,
Our hearts hang on wires, humming through the barricade,
I hear your voice between the static and the rain—
“Come home, come home, it’s all the same.”
Chorus (English, then Japanese)
Ashes in the rain, we carry our names
Like faded paper lanterns drifting through flame—
When the night is burning, will you remember me?
光の灰の中で名前を運ぶ
紙の灯籠、炎を漂う
夜が燃えても、私を覚えてるか?
Verse 3
No gods here—just rust, regret, and warning tape,
A garden of masks growing wild from the cracks,
Once we believed the world would never turn its back—
But dawn is a rumor, and the future’s painted black.
Strange lights flicker, distant over water,
Not heaven, not rescue, just static on the sea—
We count the stars, not for wonder, but for witness,
Broken country kneeling, haunted, refusing to be free.
Bridge
We are shadows walking through history’s marrow,
Our bones tuned to Geiger, our lullabies gone,
Still we plant sunflowers, and pray for tomorrow—
As the mystery lights fade, but the story lives on.
Chorus (English, then Japanese)
Ashes in the rain, we carry our names
Like faded paper lanterns drifting through flame—
When the night is burning, will you remember me?
光の灰の中で名前を運ぶ
紙の灯籠、炎を漂う
夜が燃えても、私を覚えてるか?
Outro
If you hear the wind, know it’s full of voices,
If you see the lights, remember who we were—
Ashes in the rain, but our hearts burn slow—
Fukushima whispers, and the whole world knows.
Island of the Dolls, Mexico – Play With Me ( ITS )
Drowned beneath the moon’s unflinching stare,
A raft of memories drifts through stagnant air.
Branches shudder with strung-up bodies, porcelain grins cracked wide—
Limbs half-eaten by time, button eyes stretched open, nothing left to hide.
Their skin collects mildew and secrets, painted lips split in a silent scream,
Each tiny dress stiff with rain, every finger curling, warped by feverish dream.
Above the black canal, the dolls swing, garlanded by rotten rope—
Souls long stripped of purpose, now sentinels for the hopeless and the broke. | The trees’ crooked fingers cradle a hundred faces—childish, grotesque, obscene,
Some heads upturned in yearning, others stitched shut, sightless and unclean.
Once a tribute, now a horde—gathered for a girl the river could not forgive,
Each plastic witness cradles a wailing echo, proof that pain can outlive.
The wind is cruel and ceaseless, plucking braids and gnawing at waxen cheeks,
Mouths left open to swallow sorrow, to taste the truth that no one speaks.
Fishermen murmur legends—how the caretaker once heard a drowned girl’s plea,
How he fed the island broken toys, terrified that her ghost would never let him be. | Nights here are slow dissolutions, dense with insect wings and rot,
Candle stubs flicker in hollow skulls, hope a luxury quickly forgot.
The soil gnaws at footprints, the sky weighs down on the tangled thicket,
And always, those hollow eyes—uncaring, unblinking, no mercy in their wicket.
If a visitor lingers too long beneath the suffocating vines,
They’ll hear water slapping like tiny hands, or the faintest voice that whines.
Sometimes it’s laughter, high and breathless—sometimes a choking wail—
Or the sudden, frantic rustle of dolls, spinning at the touch of a phantom gale. | There’s no escape from the stare of the island’s strange assembly,
Their silent vigil mocks the living, their patience predatory and uncanny.
Stories bleed into nightmares—once you’ve walked these shadowed paths,
The dolls remember, clinging to your scent, clawing at your aftermath.
For each doll is a prison, every grin a cell,
Caging whatever lost thing the canal refused to quell.
Wander long enough and the shapes seem to shift,
A girl’s silhouette glimpsed between trunks—a dress, a face, the urge to drift. | Death here is childlike, clever, and cruel,
A masquerade in rags where innocence is just a tool.
No savior waits in the dark, no saint blesses this sodden plot—
Only the drowned, the forgotten, and the unloved, haunting a paradise God forgot.
As dawn peels open the clouds and the water glows like old bone,
The dolls stand guard, chained by sorrow, forever alone.
If you listen, you might hear the invitation—quiet, teasing, never free:
Stay, stay forever—come play with me. |
The Dargavs Cemetery, Russia — City of the Dead ( ITS )
In the northern spine of Ossetia, where mountains hold their secrets like clenched fists,
Stone crypts rise from the wild grass—sentinels weathered by frost and centuries of missed sun,
Shadows crowd the valley, and the wind walks careful, refusing to disturb the sleep of the dead,
Here is Dargavs, a necropolis that refuses to be swallowed by time,
A city built for silence, where the living cross themselves and hurry past,
Knowing there are places where even prayer won’t carry, where even memory seems like trespass.
The crypts lean into each other, shoulder to shoulder in a cold embrace,
Their facades carved with the names of families now reduced to dust and legend,
And somewhere, the bones of warriors and daughters, thieves and mothers, all pressed together in the dark—
Every one of them given the same sky, the same rain, the same long winter’s hush,
All watched by eagles that spiral overhead, circling without pity, keeping vigil for the ones left behind. | Walk the crooked path between mausoleums, boots scuffing the stony earth,
The air heavy with regret, thick as old cloth, tasting of smoke, salt, and the ash of burned prayers,
Moss claws at the crypts, trying to drag the stones back to soil,
But the dead resist, unwilling to be forgotten, their stories chiseled in stone and whispered in the wind,
Legends say a plague once forced the living to abandon their sick in the crypts—
Whole families sealed themselves away, choosing stone over the ache of survival,
And every soul here, whether warrior or child, became an ancestor to fear and to mourn,
The bones arranged with purpose, clothed in fragments, buried with the tools of life and the shame of dying too soon. | Night comes early here, black and absolute, swallowing the village and leaving only the moon to confess,
Its cold gaze spilling over rooftops and cracked lintels, lighting up the faces of those who never left,
In the stillness, you hear it—the soft, insistent murmur of old Russian,
Город мёртвых, where spirits slip between stones, feet bare and silent,
Whispers scratch along the walls, rising from the corners where children once hid,
The past isn’t gone, only waiting, its hands still reaching for the warmth of the living,
Sometimes a candle burns for no reason, flickering behind glass,
A shape passes in the fog—some say it’s a woman waiting for her husband,
Some say it’s the last survivor, still looking for forgiveness,
All say the air is thick with the breath of centuries, as if every soul is waiting for its name to be spoken aloud. | In Dargavs, every crypt is a lesson in patience, in grief, in the brutal honesty of stone,
The mountain’s shadow creeps slow, licking at the doorways, erasing footprints but not the ache,
No one speaks too loud here; every word is weighed against the silence,
The village below remembers in its own way—wooden crosses, flowers, scraps of fabric caught in the wind,
A reminder that nothing is truly finished, that the past will drag its feet until the living learn to listen.
Sometimes, children dare each other to spend a night among the tombs,
But most last only until dusk, hearts pounding with the certainty that they are not alone,
There are places the living don’t belong, and Dargavs is chief among them. | Still, history seeps upward—bones shifting beneath your feet,
Stories bleeding through the seams where stone meets sky,
Every crypt holds the weight of hope and failure, the lost wars and broken vows,
And the wind that sweeps through the valley is heavy with the perfume of old regrets,
Ossetian songs drift on the air, mixing with the call of the eagles,
Grief braided to pride, loss sewn tight to endurance,
Here, no one walks unjudged, not even the shadows.
The dead keep count; they remember who has come to mourn, and who has come only to look. | You stand in the cold, breath clouding, knowing the world is older than your worries,
Knowing that every stone under your hand once marked a life lived, a promise broken, a dream torn apart,
The mountain looms, unmoved, carrying the weight of the dead and the living together,
And as dusk turns the stones to gold, then to slate, you understand—
Dargavs is not a warning, but a record, not a curse but a chronicle.
The City of the Dead, where whispers braid the night and every crypt is a question,
Where even the bravest hearts walk faster when the sky darkens,
And where the only answer is silence,
Heavy and real, as honest as the stone itself,
Unforgiving, patient, and always waiting for someone foolish enough to listen. | | |
Chernobyl Exclusion Zone, Ukraine ( ITS )
Where the border fence sags beneath the weight of silence,
The wind moves slow through tangled weeds and scorched playgrounds,
Concrete towers crumble with the patience of centuries,
Pripyat’s heart beats on in static, in dust, in the shiver of wild grass that claws at broken steps.
No one laughs here—laughter leaked out with the iodine, replaced by the measured click of Geiger counters,
A lullaby of dread echoing in stairwells and vacant rooms,
Windows stare wide, blind, unblinking, waiting for a dawn that will not come,
Here, time is a shutter left open too long—ghosts burned onto every wall,
The swing set creaks for children who will never return, shoes abandoned mid-run,
Doll’s faces blister and peel on classroom floors, a silent testimony that safety was always a myth. | The first light of morning slides across the Ferris wheel, yellowed and frozen,
Each car a reliquary for vanished birthdays, each bolt holding stories that ache to be told,
Apartments still hold toothbrushes in cracked mugs, photographs stuck to refrigerators,
Empty beds made up for families who fled with pockets full of panic and nothing else,
The city’s bones remember the sirens, the voices on the loudspeaker promising, urging, lying,
And somewhere below the sarcophagus, the core still smolders,
A wound the earth can’t cauterize, secrets sealed under a shroud of steel and regret,
The rivers crawl slow and shallow, pulling the memory of that night with them,
Somewhere, a fox slips between hospital beds, moss swallowing charts and patient files,
Nature returns, but it isn’t forgiveness—only a slow, indifferent taking back of what was lost. | Hospitals rot from the inside out, iodine stains and broken cots,
Stethoscopes hang from hooks as if waiting for hands that will never heal again,
The canteen still smells faintly of cabbage and sweat,
While the calendar on the wall is forever April, forever unfinished,
No prayers here—just silence thick enough to choke,
You walk through corridors that buckle under the weight of everything left unsaid,
Books lie open on teacher’s desks, lessons interrupted mid-sentence,
The blackboard’s last equation written by a trembling hand,
Mothers’ voices echo off tile, searching for children who vanished into the dust,
All that’s left are echoes and the flutter of curtains breathing in radioactive air. | Not all the ghosts are seen, not all the wounds are visible,
Night here is never empty—it rings with the footsteps of those who left everything behind,
You can feel their longing in the groan of doors rusted half-open,
You see them in the way the weeds grow up through the floor,
The living are unwelcome, only tolerated for their awe, their guilt, their need to witness and record,
Each visitor brings more stories, but the city itself is unimpressed,
It demands silence, respect, the price of humility in the face of unstoppable disaster.
Once, the nuclear core was promise—now it is curse,
The new forest grows thick, swallowing fences and signposts,
The earth drinks the poison, roots run deep, birch and willow rising where men once played chess in the square. | At the edge of the exclusion zone, the checkpoints flicker with uncertainty,
It is easy to forget how close you are to what was and what might still be,
The whole world held its breath as the fire lit the sky, as the winds carried the future away,
And now, wild dogs howl through the hollow stairwells,
Every shadow stretches long and thin, a reminder that some dangers do not end, they simply change their names,
Survivors remember the light that blinded—an impossible, monstrous sun—
And the sorrow that swept through kitchens, schools, train stations,
Loss written in Ukrainian, in Russian, in the language of silence. | Here in the city of memory, the only sound is the scrape of wind on metal,
The pulse of radiation that never stops, never forgives,
The dead are not loud; they wait in the grass, in the ash,
Their names written into every slab of concrete, every ring of a deserted telephone,
Ghosts of Pripyat dance in the night,
Not for vengeance, not for comfort—only to remind the living what it means to leave.
In Chernobyl’s shadow, every breath is history, every silence is a grave,
And the spirits here do not beg to be seen.
They stand, patient, in the ruined light,
Haunting the zone because forgetting is the last disaster left. | Зона відчуження пам’ятає все — біль, тривогу, і кожну душу, яку забрала трагедія.
The city keeps its secrets, the forest grows wild, and the world moves on—
But Chernobyl will never be empty,
And memory will never be clean.
Echoes in the Abyss ( ITS )
In the haunted silence of a mind split wide—
A frozen sea beneath which broken certainties slide—
Night’s obsidian hush presses in, thick and absolute,
Every heartbeat magnifies the hush, every tremor a pursuit.
The void here is not hollow but alive, pulsing,
A restless dark that sharpens each buried longing,
Stripped of comfort, stripped of pretense, forced to kneel
Before the black altar where nightmares bargain for what’s real. | Beneath this pall, strength is not shouted,
But discovered raw, scraped out where all hope once sprouted.
Shadows parade past the edge of vision, mocking light,
Whispering riddles into cracks in the psyche at night.
Every whisper weighs double, every echo another trial,
Yet within the pressure, resolve is hammered and made virile.
The abyss is a crucible, not a grave,
It does not mourn or forgive—only engraves. | Unseen forces gnaw at the edges, insistent and cold,
Ghostly hands claw memories, twist regrets into gold.
A power grows where emptiness sprawls,
Sovereign and silent, refusing the call
Of oblivion’s lull—choosing instead
To light its own fire in the spaces where angels won’t tread.
No voice answers here, no savior arrives,
Yet will is born anew each night it survives. | Beneath the horror, something unyielding learns to stand—
A blade forged in loneliness, gripped in a trembling hand.
The abyss cannot comfort, but it will not lie,
Its honesty is brutal, but in its echo, fears die.
Those who emerge from its fathomless hold
Bear scars etched deep, a courage cold
And defiant—knowing emptiness cannot consume
The core that refuses surrender, the will that resumes. | In the haunted silence, as every specter grins and recedes,
A quiet power hums, seeded in darkened deeds.
The void seems endless, yet the abyss is finite,
Its hunger vast but its claim never outright—
For in the shadow’s heart, a single truth you’ll find:
Even darkness, for all its appetite, is never as endless
As the haunted silence of your mind. |
Moundsville Penitentiary, West Virginia – Cold Steel ( ITS )
Past the floodlights and razor wire, under a sky hammered flat and gray,
Moundsville rises, a monster built for punishment—swallowing hope by the day.
Iron gates groan like a warning, every bar hums with sin,
The air bites at your nerves—regret and rust and memory digging in.
These corridors never forget, lined with claw marks and names scraped raw,
The scent of sweat and violence sours every cinderblock law.
Cell doors clang a music only the broken understand,
Cold steel holds the sorrow, hunger, and fury of the damned. | Here, agony is scripture, each night a new commandment in pain,
Blood and remorse etched deeper than rain ever could stain.
You walk the range, boots echoing off walls that bred despair,
Where men scratched prayers in plaster—begging for anyone to care.
Ghosts pace in shackles, their sentences never done,
They rise in the hours when the guards are gone, and freedom’s just a pun.
Every window is a wound, the moon drips secrets through the bars,
A theater for the angry dead, a canvas for their scars. | Feel the shiver in your marrow, hear the whispers on the block,
Names of killers, thieves, and loners—legacies chiseled in rock.
The condemned still patrol the hallways, fingers trailing cracks in stone,
Chained to the rhythm of suffering, too far gone to atone.
Execution’s breath lingers, thick as mildew, sharp as grief,
The noose still grins in memory, the chair offers no relief.
Beneath fluorescent flicker, shadows twist into faces you almost know,
Mouths open in accusation, eyes unblinking, voices low. | Redemption’s a rumor the stones refuse to repeat,
Every cell is a tomb for a promise, every hour incomplete.
Solitude grows monstrous, a fever in the blood,
Men go mad in silence, drowning in the flood.
Screams rattle the rafters, laughter stabs at the dark,
You hear the old stories retold—bodies left to rot in the yard,
Inmates gone feral, justice burned into flesh and skin,
Here, the law’s just a sentence for the world that lives within. | Moundsville is a mausoleum with a heartbeat, a beast you cannot flee,
Its hunger never sated, its history never free.
Spirits linger in the stairwells, rage chained to every floor,
No mercy in the midnight, no sanctuary in the roar.
You feel the dead behind you, cold breath against your neck,
A mutter in the darkness—reminders of the wreck.
You enter as a stranger, you leave a piece behind,
Some wounds aren’t visible, some chains are in the mind. | Walk slow in these blocks, let the past weigh your tread,
This is where innocence evaporates, replaced by dread.
Haunting memories, sharper than any shiv,
This is a penitentiary where only the walls forgive.
No escape from the narrative—trials and riots, hangings and fights,
History uncoils in the silence, biting hard through the nights.
In the cell blocks, shadows play, never asking why,
In Moundsville, the dead don’t sleep, and the living learn to lie. | In the end, the echoes linger, too stubborn to release,
Tales of terror whispered soft, never offering peace.
Every hour repeats the sentence, every morning dawns the same,
Cold steel keeps the ledger, ghosts remember every name.
You carry it with you—the chill, the dread, the scars you deny,
In Moundsville’s frozen arteries, even the dead don’t die. | | | |
Waverly Hills Sanatorium, Kentucky – Speak of Madness ( ITS )
Past the city’s last dying light, behind fences sagging with old secrets and warning signs that keep nobody safe,
Waverly Hills rises—stone and brick, skin and bone, a wound that refuses to heal,
A monument to every promise medicine ever broke, every scream swallowed by walls too thick to let hope slip out,
Windows gaping, mouths of glass that learned how to smile at suffering,
Halls echoing not with healing, but with the endless shuffle of feet searching for their last breath.
Here the dead kept coming, and the living just waited to join them,
White sheets stained with denial, corridors thick with the scent of bleach and something sweet and rotten,
Infection and insanity as neighbors, grief creeping under every door,
Nurses drifting like warnings down empty halls, names lost and nameless, faces blurred by fever and time.
Every corner bends the rules of memory—each shadow hungry, each draft a cold tongue,
The air thickens as if it carries the weight of last words,
Here, sorrow outlasts science, and regret molds itself into something you can hear at midnight,
Something that claws at your dreams, long after you’ve gone. | They say at night, the body chute yawns wide, swallowing the lost by the dozens,
Its concrete throat slick with the memory of flesh and the slap of rubber soles,
No one was meant to see that journey, not the dying, not the living, not the men paid to carry the dead—
But the walls saw, the walls still remember, the walls still twitch when you whisper the right names.
Every floor a ledger, every bed a confession,
Phantom hands brushing your skin just to remind you who really owns the dark,
Mirrors spit back faces that never belonged to you,
And the silence is never pure—always layered with moans, laughter, broken hymns,
The hollow echo of coughs that never learned how to stop.
Shadows gather in corners, twitch behind curtains,
Curtains that flutter as if a thousand lungs are still desperate for air. | Fear thickens after sundown—books leap from shelves, doors slam in empty corridors,
A nurse’s cap appears in the far stairwell, her footsteps too soft for flesh,
You think you see children peering around doorways, hands pressed against glass,
Then you blink and they’re gone, replaced by a cold that sinks into your bones,
Sleep here is an act of war—whispers dig through pillows, scratch at your skull,
Every breath a wager that you won’t wake up with something beside you,
Or worse, something inside you, muttering its secrets behind your eyes.
Walls pulse with memory, madness makes its home in the peeling paint,
You can’t tell where grief ends and the haunting begins. | Sanity is a rumor here, always a little further down the hallway,
Bound by spectral chains, laughter that isn’t quite laughter,
Names etched in dust, prayers ground underfoot,
At Waverly, your shadow betrays you—lengthening, splitting, crawling along tile to join the others.
A draft moves down the body chute, icy with the memory of a thousand last goodbyes,
Someone whispers your name, voice sour with mildew and longing,
Mirrors fracture, the edges glimmering with every scream ever swallowed here.
You run, but the building does not let you leave clean—
It keeps a piece, a sliver of your mind, an echo of your fear to add to the next night’s inventory. | Some nights, the moon glances off the roof, daring you to come closer,
Nurses still glide from room to room, offering nothing but the chill that never leaves your skin,
The sanatorium knows your secrets—learns them as you shudder in the dark,
It loves your terror, it feeds on your loneliness,
And when you finally stagger back into daylight, blinking, heartbeat twisted by what you heard,
You carry Waverly with you—its breath, its touch, its whisper threaded through your blood.
You’ll hear it again, in the hush before sleep,
The sound of gurneys rolling down a ramp, a hundred feet above the city,
The echo of those words, “Speak of madness, and the madness will answer,”
Forever haunted, forever changed, forever another shadow counted in the census of the lost. |
Trans-Allegheny Lunatic Asylum, West Virginia – Shadows Move ( ITS )
Past the broken gates where grass has grown through stone,
The asylum rises—gray and endless, skin and bone.
Every window blinks with memory, every shingle cracks with ache,
The air thick as accusations, the chill too sharp to fake.
Inside, the hallways buckle with the weight of years gone wrong,
Cries still coil in corners, old as the bricks, bitter as any song.
Here, pain lingers in the paint, agony drips from every sill,
The walls have listened to more secrets than a priest ever will.
Footsteps echo heavy in the dark, ghosts pacing to their tune,
Long coats and madness haunt the air, the sun dies by afternoon.
Whispers climb the ceilings, stains spread in the gloom,
Every door a question, every room another tomb. | Shadows flicker on the staircase, tracing out old fights,
Fingers tapping walls, tracing scars from countless nights.
Here, shame and sorrow breed, thick as dust on every file,
Unseen watchers press their faces to the glass, eyes wild.
Despair is an infection, it lives in every breath,
The spirits roam the corridors, never learning death.
No comfort in the silence, no warmth in dawn’s brief light,
Only the hush of history smothered by the night.
Phantoms circle in the ballroom, laughter sharp as glass,
Nurses' shoes click slow and soft, echoes from the past.
A shiver runs the length of you, skin alive with dread,
Every patient’s lost confession, every word they never said. | Treatment meant torment here, ice baths, leather straps,
Electrodes burning memories, wrists tight with iron wraps.
In the attic’s choking heat, women wailed for sons,
Men stared through barred windows, cataloguing the runs.
Some tried to flee the darkness, some sank into the floor,
Others carved their stories in the plaster near the door.
Their whispers outlast diagnoses, their pain not just a phase,
Every hallway tastes of ether, every window blurs with haze.
Nighttime here is savage, full of things the sane don’t see,
Figures gliding through the wards, a twisted family.
You feel their hands brush past you, the sigh of longing near,
Their tragedy unending, repeating year to year. | Step lightly through the patient wards, let the horror in,
Every step is borrowed time, every shadow wears a grin.
The past is never buried here, it rides the wind and rain,
The building drinks the sorrow, spits it out as pain.
Some souls are locked in fever, some can never rest,
Bound to the beds and bathtubs, forever failed the test.
You’ll hear the cries that pierce the night, taste the copper sting of fear,
And realize that at Trans-Allegheny, the lost are always near.
Silence is a prison, history the cell,
Inside these rotting chambers, every angel fell.
Not all ghosts are gentle, not all tears can dry,
Sometimes the only answer is a name that will not die. | Trans-Allegheny’s shadow stretches far beyond the yard,
A monument to madness, its memory scarred and hard.
If you come to visit, come with reverence, come with dread—
The living cannot linger where the dead are never dead.
A requiem of footsteps, a waltz of ancient pain,
Inside these haunted hallways, only the shadows remain. |
Lizzie Borden House, Massachusetts – Axe Me No Questions ( ITS )
In Fall River, the fog curls thick as accusation on the street,
History’s breath rising cold off clapboards beneath your feet.
Victorian façade wears its story like an unwashed stain,
A house where memory’s barbed wire wraps around every windowpane.
Here, the night is sharper, bracing as unfinished prayers,
Unanswered questions drifting down the wallpapered stairs.
In the kitchen, time stalls, a sticky whisper of dread,
As if every shadow’s been counting the heartbeats of the dead. | Axe blades hang invisible above each nervous head,
Echoes of guilt sharpen the floorboards, footsteps heavy with what’s unsaid.
Sin breeds in the plaster—secrets multiply in the dust,
Blood lore immortalized in every visitor’s whispered disgust.
Portraits glare in the parlor, eyes rimmed with suspicion’s hue,
A tapestry of betrayals where innocence rarely breaks through.
You feel it—an aftertaste of iron, the hush after thunder’s roar,
History refusing forgiveness, sharp as the axe at the door. | Lizzie’s ghost doesn’t float; she patrols, restless, defined,
Her legacy cleaves through the rumors no verdict could ever unwind.
Each floorboard groans her story, retold in a feverish refrain,
Where every misstep is rehearsed, and silence is never plain.
She lingers in the parlor’s chill, in the shadow behind each bed,
Eyes fixed on the living, wishing their questions unsaid.
The parlor clock skips seconds, shivering at 2 a.m.,
As if time itself remembers the moment everything condemned. | You lie awake, breath shallow, in a bed dressed for the dead,
The weight of myth in your chest, suspicion rattling your head.
A rustle in the hallway, a murmur against the wall,
The past replays its violence—so close, you almost recall
The cadence of the axe, the soft gasp before the blow,
How blood might paint the wainscot, how innocence learned to go.
Specters flicker in lamp light, staring out with sockets raw,
Repeating the old question, what verdict the living saw. | Beneath the old gaslights, stories rise, venomous and cold,
Lizzie’s gaze is unblinking—her motives forever controlled.
Pain sharpens the silence, every echo tightly wound,
This is no gentle haunting; it’s accusation’s battleground.
Her presence is calculated—calm, deliberate, and stark,
A verdict written in footprints, a secret scorched in the dark.
Doubt lives in the parlors, and madness in the eaves,
Only the axe knows the answer, and the axe never leaves. | History’s breath hangs heavy, trembling on every stair,
Borden’s legend gnaws at reason, splintering the air.
The walls ache with old blame, the mattress stains with dread,
Here, truth is always changing, and innocence long since fled.
No comfort in daylight, no release when dawn is near—
The Lizzie Borden house survives on a diet of fear.
Every whisper’s a witness, every echo a clue,
Every room is a courtroom, and tonight, it’s judging you. | In Fall River, wind rattles the bones of every old suspicion,
A legacy unburied, a sentence without remission.
Step softly, sleep lightly, leave no question unasked,
This house holds all its secrets—till the next mask is unmasked.
Axe me no questions, and I’ll offer no lies,
But in this house of verdicts, the innocent never survive. |
Villisca Axe Murder House, Iowa – Chop Chop ( ITS )
Night leans heavy on Villisca, the air clotted with regret,
Every shingle, every threshold, a ledger of secrets unmet.
A farmhouse squats in moonlight, battered by a century’s shame,
Where the walls learned to whisper every unspeakable name.
Shadows twist above the baseboards, thick as blood in old veins,
The floor groans beneath footsteps burdened by ancestral chains.
Glass eyes in portraits flicker, tracing strangers as they roam,
While a hush settles deep, claiming each hallway as its own. | In this place, dread is ancient, each room swollen with pain,
Lullabies decay to sobbing, and every echo is a stain.
Spectral hands skim your shoulder, breath cold against your throat,
You swallow the legend raw—murder scribed in every note.
In the attic, silence pulses, fevered with unfinished prayers,
All the ghosts hungry for justice that never answers, never cares.
In the master bedroom, memory weeps down the yellowed wall,
You can taste the metal, feel the grief, hear the silent final call. | Fear slithers from the floorboards, claws tightening in the gloom,
Axe marks haunt the staircase, blooming violence in each room.
The past claws through wallpaper, sanity shreds at the seams,
You feel Villisca’s story gnaw the marrow of your dreams.
Specters drift through parlor shadows, their eyes cracked by the years,
Every shadow hides a visage smeared in agony and tears.
Flesh and phantoms intertwining, reason bending, breaking thin,
This house breeds paranoia, gnaws you raw from within. | Sleepless, you listen for footsteps—those that come but never show,
You count the heartbeats shuddering, afraid of what you know.
The cries of the children tangle in drafts beneath the door,
Their lullabies corrupted, never innocent anymore.
Some nights you swear you see them, shapes huddled at the bed,
Eyes wide and hollow, accusing, still searching for the dead.
Chains rattle in the crawlspace, lullabies rot to moan,
Misery ricochets down stairwells, unwilling to atone. | The axe still rules the threshold, a judge with no appeal,
Justice bled out in 1912—wounds too deep to heal.
No prayer redeems the farmhouse, no logic soothes the pain,
You leave with your own shadow changed, your blood echoing the slain.
History keeps the murder’s secret, the killer’s name erased,
But the house remembers everything—the terror, the disgrace.
Every guest brings a rumor, leaves a fear behind to grow,
Bound by fear, the living join the chorus of the woe. | Night after night, the darkness grins, swallowing the weak,
The farmhouse takes your courage, wrings it till you cannot speak.
Dawn only shoves the ghosts aside, they’re never gone for long,
Each sunrise is a promise that the horror will go on.
Villisca’s axe has patience—it swings in every mind,
You enter as a skeptic, you leave with faith redefined.
Here, destiny is splintered, fate is cold and sharp,
In the farmhouse of the murder, every soul departs in part. | No one leaves untouched, unscarred, unchanged by Villisca’s hold,
History is written here, in whispers, sweat, and cold.
If you feel a chill behind you, if you sense your skin go taut,
Remember—some questions aren’t meant to be caught.
Chop chop in the darkness, the answer’s never clear—
Welcome to Villisca, where every nightmare ends right here. | |
Whaley House, California – The Past Lingers ( ITS )
Past the garden’s iron fence and roses never meant to bloom,
The Whaley House watches midnight, a sentinel above each tomb.
Floorboards buckle under memory, history seeping through every crack,
Where the wind drags old verdicts down corridors, always circling back.
Built on gallows’ aftermath, the ground is layered thick with crime,
The noose’s shadow buried deep, a thread that tugs at time.
Every window shivers, breathing relics through the glass,
Sunlight never strong enough to break the past. | Step into the parlor, where every portrait grieves,
Smiles stretched across faces the century never leaves.
Ghosts move in suggestion, at the corner of the eye,
Tracing the arc of tragedy beneath a San Diego sky.
A hush settles in the hallway, dense and raw with dread,
Even laughter here is brittle, forged by those long dead.
You run your hand along the rail, cold as the verdict’s weight,
Feeling judgment in the grain, every twist a twist of fate. | Footfalls echo through the passage, timber tired from the years,
Stories spool in whispers, clinging thick as ancient fears.
Staircase aches with memory—children’s games, broken vows,
Every silence amplified in these haunted, hallowed rows.
Ghosts gather in the kitchen, fingers pressing at the frost,
Borrowing from the living, reminding them what’s lost.
A mirror flashes faces—some you know, some you dread,
A parade of accusation, eyes rimmed in blood and red. | Cold spots gather in corners, fingerprints etched in chill,
Testimonies rise from floorboards, haunting every windowsill.
Specters push through thresholds, reluctant to let go,
Bringing news of all the endings history tried to stow.
In every door a secret sighs, a promise sours to pain,
Dead men whisper warnings, mothers mourn in vain.
Present and past spiral, entwined in spectral dance,
No living soul escapes here without a second glance. | You listen in the hush—walls thick with things unsaid,
The stories of the scaffold, the prayers for the dead.
Thomas Whaley paces restless, unsatisfied and proud,
Family shadows lengthening beneath a mourning shroud.
Here, the gallows keep their secret, here, the condemned remain,
In every faint reflection, you see the shape of shame.
Sleep is shallow in the Whaley House, dreams stained by other lives,
Where the clock ticks for everyone, but nobody truly survives. | Even the sunlight falters, splintered through the grime,
Every creak a caution—every hour stains with crime.
Guests stumble through cold pockets, breath held on every stair,
Sensing something ancient gnawing at the air.
Children’s laughter warps to moaning, grown men shudder as they pass,
The weight of all the gallows pulling down like glass.
You’ll taste the tang of verdicts, the static in the gloom,
And learn what it means to live in a house that’s always room. | Walk out if you can—most never truly leave,
Haunted by the whispers that rise each time you breathe.
You’ll carry home a shadow, a chill you can’t explain,
A memory left at Whaley House—another link in the chain.
Here, history is a captor, and the future wears its brand,
Where every guest is tested, and only the dead withstand.
In Whaley House, the past endures, clutching hard and fast,
You can’t outrun what lingers—when you visit, you are cast. |
Bell Witch Cave, Tennessee – The Witch’s Curse ( ITS )
Deep in the Tennessee earth, where the sun forgets to reach,
The Bell Witch Cave yawns open, secrets smothered in speech.
Roots twist like old vendettas, crawling through the limestone’s veins,
Every drip is a countdown, every echo’s a witch’s remains.
Step past the mouth—feel that chill chewing through your spine,
History snarling, sharpened on the jawbone of the unkind.
The torchlight limps along the wall, casting doubts as shadows bend,
The cave inhales your courage and refuses to pretend. | Legends bleed through every crack, thick as blackstrap molasses,
The whispers coil around your ankle, tripping memory as it passes.
No sanctuary in these caverns, just the curse the Bells could not outrun,
A thousand threats delivered, a battle never won.
Her name rides the current—spoken by stone, scrawled in the cold,
Some say the witch was justice, some say she’s just old.
She’ll tug your sleeve with icy breath, promise you despair,
She’s the reason even silence feels like someone’s always there. | Stalactites drip like warning, counting time you cannot see,
Every drop remembers violence, every shadow wants to be free.
Poltergeist or prophetess, myth or murder’s echo,
In the bell of the cave her laughter rings, steady, soft, and slow.
You taste the curse in the water, metallic and raw,
The air thickens, folds you in, chills you to the core.
The cave’s heart beats in rhythm with the blood you cannot shed,
Stories scrawled in centuries, script written by the dead. | Wind snakes through the passage, whispering oaths and lies,
You lose yourself in looping halls where superstition never dies.
Old bones buried under gravel, jaw set in disbelief,
The curse gnaws through generations, relentless in its grief.
No matter how you measure it—distance, time, or cost,
Every voice gets twisted here, every line is crossed.
Somewhere, the witch is waiting, her patience thick as tar,
No prayer, no incantation, no running gets you far. | Follow the draft—cold as accusation, sharp as a lover’s spite,
Every step invites a question, every answer flees the light.
Some swear she calls them by their secrets, drags guilt out by the hair,
Others say she’s vengeance, a shadow who’s always there.
The cave’s breath will claim you, if you stay too long inside,
Haunted by the woman who refused to let her anger die.
Visitors feel her presence, the tug at every thread,
The Bell Witch carves her legend in the marrow of your dread. | In the darkness, she lingers, never resting, never kind,
A sentence handed down to every wandering mind.
Bell Witch Cave doesn’t forget; it catalogs each soul,
Her curse a grinding hunger, her laughter the only toll.
You stumble back to daylight changed, nerves frayed and tense,
With the taste of dirt and nightmare, and a new mistrust of sense.
Bell Witch Cave, forever patient, keeps the dead and the damned—
If you come here seeking answers, expect only her hand. |
Demon Murder Trial, Connecticut – Devil Made Me Do It ( ITS )
Under harsh Connecticut light, in the year of 1981,
A young man’s hands bore blood—the courtroom silence had just begun.
Arne Cheyenne Johnson, with sunken eyes, stands accused of slaughter,
A tragedy in Brookfield, a murder for which no mortal could barter.
The judge’s gavel marks the hour—reporters jostle in the aisle,
Attorneys sharpen questions, hunger masked behind a practiced smile.
The jurors—farmers, clerks, a teacher with chalk still on her hand—
Summoned to discern the truth, and weigh a tale no law could understand. | It began months before, in the white clapboard house on Old Hawley Road,
Where the Glatzel family trembled, their son David burdened by a spectral load.
The boy screamed of a shadow with red eyes, foul breath, skin so tight it shone—
An entity scratching his flesh, rattling beds, speaking in guttural tone.
Priests visited, Bibles open, holy water flicked through every room,
But the fear only grew heavier, a garden of dread in endless bloom.
Ed and Lorraine Warren arrived, claiming a demon’s mark—a curse passed down,
A pact, a promise, a darkness that wouldn’t drown. | On that bitter February day, Arne’s mind a hive of screams,
He stabbed Alan Bono, his landlord, in a haze of fractured dreams.
No rage in the gesture, only a violence strange and precise—
Witnesses claimed he’d spoken in tongues, his eyes lost, his manner cold as ice.
Blood splattered the linoleum; the police hauled him away,
As the town whispered of devils, of hell’s cruel play.
The Warrens swore the beast from David’s body found new bone to haunt—
A passage of evil, a family’s worst taunt. | The trial drew a crowd—the first in American history to plead
That a man’s will was overrun, his soul broken, compelled by a demon’s need.
The judge refused the plea, but the lawyers pressed the tale,
Paranormal experts filled the stand, while tabloid headlines wailed.
“Possession in Brookfield!” “The Devil Commands!”—screamed across the wire,
Connecticut became a crucible, fear fanned into fire. | Every detail scrutinized—David’s fits, Arne’s blackouts, the Warrens’ haunted fame,
Was it psychosis, religious frenzy, or was something darker to blame?
Photographs of claw marks, audio tapes of shrieks at midnight,
Neighbors swore of heavy footsteps, objects flying, dogs howling with fright.
Still, the law required proof, not the scent of brimstone or a flicker of shade,
Testimony warred with ritual—truth and nightmare equally weighed. | As the autumn leaves died in New England’s chill,
The jury met behind doors—deciding if men are but vessels, or wielders of will.
The verdict came: guilty of manslaughter, ten to twenty years decreed,
But no sentence could scrub the stain, no jailer unbind the creed.
Arne served his time, married his love, and walked from prison’s door,
The legend grew wilder, films were made, myths flooding folklore. | Brookfield will not forget—the old-timers still shake their heads,
The house on Hawley Road still draws those hungry for the dead.
Was it just madness, or a window flung open to night’s black seam?
Even now, the files moulder in silence, and somewhere, a child wakes from a scream.
Connecticut’s woods remember, in frost-laced branches and wind through the pine,
A trial where the devil was summoned, and men could not draw the line. |
Demon Murder Trial, Connecticut – Devil Made Me Do It (Redux) ( ITS )
In a courthouse heavy with the scent of varnished benches and fear’s cold hand,
Arne Johnson stands beneath the brittle fluorescence—sweat beading, trembling, a witness on demand.
The gavel’s echo fractures silence; each syllable etched with the stench of ancient dread,
Testimony laced with sulfur and shadow—“The Devil whispered,” he said. | Eyes in the gallery flicker like candle flames drawn to every tremor of his voice,
Attorneys posture, hunt for reason, but Arne’s gaze is fixed—haunted, no choice.
He names the fiend that clawed his skin, the shudder in his marrow,
Claims innocence not of the law, but ripped from the rift where demons borrow. | Specters linger at the periphery—Ed and Lorraine Warren, bearing relic and rite,
A rosary dangles between fingers, trembling in artificial light.
They speak of exorcisms, devils in the rafters, curses curling around the soul,
As stenographers’ fingers tap and tap, recording the price of losing control. | The jury, cloaked in civic armor, parse faith from madness, evidence from myth,
The judge’s eyes betray the weight—how to sentence the boy and not the wraith beneath?
Whispers coil through the chamber, from tabloid to courtroom floor,
Each question feeding the legend: is the killer only flesh, or something more? | Testimony veers between theology and terror, scripture and bruised skin,
Each statement a ritual, every denial a sin.
Hearts thud like wardrums—verdict suspended on a razor’s edge,
A town bracing for the answer: is evil a mask, or a wedge? | Outside, reporters gather beneath courthouse lamps, waiting for the jury’s decree,
Inside, Arne dreams of nights spent writhing, clawed by what no eye could see.
The jury’s word arrives—cold, implacable, but the question remains unsealed,
Was it murder, possession, or the unseen turning the wheel? | Years will pass; the files will yellow, the legends will bleed through stone and screen,
But inside those oak-lined walls, darkness once pleaded its case, and men were left to glean
If the devil truly danced in Connecticut’s pale and trembling light,
Or if horror is simply the absence of hope, festering in the marrow of the night. | |
Demon Murder Trial- Devil Made Me Do It (Redux Revisited) ( ITS )
**Verse 1**
In The Cold Courtroom's Unforgiving Glare,
Arne Stands, Eyes Burning With Haunted Despair.
He Speaks Of Demons, Their Grip And Their Snare,
Claiming Innocence, A Soul Beyond Compare.
**[Chorus]**
Devil Made Me Do It, A Chilling Refrain,
Fingers Point, Whispers Echo, Fueling The Pain.
Every Shadow Hides A Sinister Force Unseen,
A Dance With Darkness, A Macabre Scene.
**Verse 2**
The Jury Listens, Their Gaze Piercing And Deep,
A Trial Unfolding, Secrets They Seek.
A World Captivated By The Tale He Weaves,
A Battle For Truth, A Fight For Reprieve.
**[Chorus]**
Devil Made Me Do It, A Chilling Refrain,
Fingers Point, Whispers Echo, Fueling The Pain.
Every Shadow Hides A Sinister Force Unseen,
A Dance With Darkness, A Macabre Scene.
**Bridge**
The Warrens Arrive, Their Eyes Filled With Light,
To Banish The Shadows, To Vanquish The Night.
They Confront The Evil, A Battle For Souls,
As The Courtroom Echoes With Unspoken Woes.
**[Chorus]**
Devil Made Me Do It, A Chilling Refrain,
Fingers Point, Whispers Echo, Fueling The Pain.
Every Shadow Hides A Sinister Force Unseen,
A Dance With Darkness, A Macabre Scene.
**Verse 3**
The Verdict Rings Out, A Decision Is Made,
But The Question Lingers, In The Shadows It's Laid.
Was It The Devil's Hand, Or A Mind Astray?
The Truth Remains Elusive, Shrouded In Gray.
**[Outro]**
Arne's Fate Hangs Heavy, A Chilling Reminder,
Of The Darkness That Lurks, And The Grip It Can Find Her.
A Cautionary Tale, Whispered Through Time,
The Devil's Advocate, Forever Entwined.
[Spoken Word]("Hear The Echoes Of The Trial That Shocked The World. Known As The "Devil Made Me Do It" Case, Where Arne Cheyenne Johnson Claimed Demonic Possession As A Defense For Murder. This Case Was Also Investigated By The Warrens And Inspired "The Conjuring 3."")
Amityville Horror House, New York – Echo of a Violent Past ( ITS )
In Amityville’s heart, beneath the choked hush of suburban breath,
A gabled house broods over the avenue, glazed with myth and death.
Windows glare like accusations, gaping at every guest,
Paint blistered by rumor, foundation weighted with unrest.
Here, night falls in layers, each one thicker than before,
Every star a bystander, watching violence behind the door.
Porch steps shudder with memory, ivy crawls through cracks in the frame,
Inside, the air tastes of static, iron, and blame. | Floors echo the unspeakable, each plank steeped in despair,
Walls press in, warped by agony that lingers everywhere.
Some say you can smell old terror—a sour, electric tang,
As if the atmosphere is bruised by every cry and every bang.
Cold spots collect in corners, gathering grief like dew,
You feel them stroke your skin, ancient and untrue.
In Amityville, every whisper is heavier than it should be,
Each breath borrowed, every step measured warily. | Shadows slide along the wainscot, thick with grief and dread,
Footsteps from another era circle slowly overhead.
Ghosts never show their faces, but you sense them just the same,
Beneath the surface chatter, beneath the changing name.
Blood once mapped the stairwell, innocence was forced to flee,
A massacre’s resonance twisted into infamy.
Each room holds its verdict, silent and unforgiving,
Nightmares bred in the floorboards, surviving, still living. | Spectral figures drift by windows, faces warped by need,
Their pain is a requiem, their sorrow guaranteed.
Lost souls rehearse old grievances, searching for a dawn,
Bound in a loop of longing that never quite moves on.
The house is a historian, archiving every plea,
Screams woven into timber, loss thick as the sea.
No prayer unwinds the history, no incense lifts the curse,
Each day a reminder that it only gets worse. | The air congeals with tension, dread pervades each room,
Faint voices rise and splinter, then vanish in the gloom.
You feel a cold intention, a chill that will not pass,
As if the walls are waiting for someone new to trespass.
There’s a hum in the silence, a throb beneath the floor,
The echo of a shotgun, a secret in the drawer.
Dreams sour in the guest room, sleep is broken by unrest,
Haunted by the massacre—never confessed, never blessed. | Amityville, a caution carved in wood and brick and pain,
The ground here’s rich with rumors, every thunderstorm a stain.
If you listen to the wind, it’ll call you by your shame,
A tale of spilled blood and broken souls that never ends the same.
Ghosts here are not forgiving, they press in close, unkind,
You leave with your nerves unravelled, a curse sewn in your mind.
Night here is unmerciful—morning is never bright,
You’ll see the echo of a violent past whenever you kill the light. | The price of what happened lingers—thick, unspent, and true,
In Amityville, the dead remain, waiting to stare right through you.
Each step a reckoning, each sigh another cost,
A house that wears its legend, where the innocent were lost.
Every creak an accusation, every shadow a cast,
This is where history’s violence refuses to be the past. |
Winchester Mystery House, California – Welcome to a Labyrinth ( ITS )
Step past the gardens tangled in rose and regret,
Winchester’s façade lures you in—no promise, only debt.
The porch sags with secrets, the windows fog with gloom,
You enter, and the walls lean closer, hungry for your doom.
No map here is honest—every hallway leads astray,
Corridors fold on themselves, swallowing daylight away.
Sarah walks these passages, her mourning stitched to bone,
Compelled by voices whispering that she must build alone.
The clock hands melt on stairwells to nowhere, the air is slick with dread,
Rooms crowd in on themselves, doorways courting the dead. | Cobwebs rope the balustrades, dust shrouds the chandeliers,
Footsteps echo questions—some lost to ancient fears.
Every landing bears a number, but none of them align,
You chase your own reflection through each window’s warning sign.
Pain drips from the ceiling, sorrow climbs the walls,
Sarah’s voice, thin and fractured, rattles through the halls.
She built with frantic purpose, haunted by the slain,
Hammer and saw a penance for money earned by pain. | Stairs ascend to ceilings, doors open to brick,
Every puzzle’s unsolvable, every corridor too thick.
The spirits gnaw at blueprints, rearrange the maze each night,
Their laughter tangles in the rafters, mocking every flight.
Cobwebs cling to banisters, time curdles on each sill,
Trapped between forgiveness and a debt you cannot fill.
Here, anguish is geometry—grief angles into space,
Rooms collapse on memory, logic wiped from the place. | Feel the pulse beneath your feet—history stirs the ground,
Every timber groans its story, every nail resounds.
Ghosts move in parallax, flickering at the edge of sight,
You’ll catch a breath of perfume, vanish with the light.
Sarah’s sorrow festers, thickens in the attic air,
Every echo is a warning, every chill is a dare.
Mirror faces watch you, reflections sly and grim,
Stairways double back on sorrow, trapping you within. | The labyrinth aches with longing, refuses to forgive,
Doors gasp open on voids—places no one lives.
Walls vibrate with trauma, blueprints inked in dread,
The maze goes on forever, no matter where you’re led.
Here, every room’s a question, every hallway’s a test,
You think you’re leaving footprints, but the house will never rest.
Sarah’s handprints linger, pressed in dust, resigned,
A thousand lost directions, a thousand desperate minds. | If you listen as you wander, you’ll hear the gentle threat—
A whisper from the rifle’s past, a legacy of debt.
Bullets forged these corridors, their grief not yet expunged,
You stumble through confession, never quite absolved.
Winchester’s lament is patient, it watches as you roam,
In every broken doorway, you see you’re not alone.
This is no mere mansion—this is penance built in wood,
A house that mourns forever, haunted, misunderstood. | Should you make it to the exit, with your nerves still partly whole,
You’ll carry with you questions that will rattle through your soul.
In Winchester’s construction, sorrow never ends—
Welcome to her labyrinth, where even time bends.
Forever Sarah’s legacy, in shadow, brick, and hymn—
A house that never stops building the maze you find within. |
Salem, Massachusetts – Trials ( ITS )
Under the gallows’ ruin, where night refuses to forget,
Salem’s cobblestone arteries pulse with ancestral regret.
Moonlight fractures on rooftops, splintering across colonial bone,
Every shadow stretches longer in a town condemned alone.
The Witch House leans on history, its timbers tight with pain,
Muffled by prayers unanswered, by verdicts that remain.
Justice faltered in these alleyways, trembling under false pretense,
Specters of hysteria twisting every ounce of sense. | Here, women and men—unlucky, unloved, unspared—
Became legend in a fever, cursed by hands that never cared.
Judges sharpened verdicts, tongues dripping with dread,
The law a marionette, pulling strings for the dead.
Each home a silent witness, each hearth a courtroom’s stage,
Neighbors traded accusations like currency for rage.
The wind remembers curses hurled from scaffold high,
And laughter muffled by rope, and pleading forced to die. | Footsteps falter at midnight by the old burying ground,
Where lichen climbs the tombstones, where the lost are never found.
The condemned are restless—still pleading with the rain,
Hoping for forgiveness that never came, never came.
Some say you’ll hear them weeping, a harmony of remorse,
Haunted by the gallows, imprisoned by the course
Of panic turned to doctrine, of envy signed in blood,
Where every child learned the lesson: truth can drown in mud. | The Witch House sighs with memory, each door a nervous plea,
Wood paneling scorched by confessions, inked in misery.
Even the air is brittle, every echo tight with grief,
The soil itself remembers the taste of disbelief.
Torches flicker in alleys, faces flicker in panes,
The accused still walk at midnight, still dragging their chains.
Judgment seeps from cellar walls, from the pages left unsigned,
And every passing tourist carries Salem in their mind. | The moon lays down a tapestry—sorrow spun in silver thread,
A night song for the vanished, for the fevered and the dead.
History here is stubborn; it clings to every breath,
You feel the trial’s verdict lingering in the silence underneath.
Cemeteries cradle the restless, voices caught in stone,
The condemned recite their innocence to moss and bone.
The present kneels before the past, haunted by its price,
In Salem, even forgiveness feels cold as ice. | On the wind, old whispers tangle, thick with accusation,
A century of reckonings, ripe with hesitation.
You leave with a piece of the gallows wound tight around your heart,
Marked by the spectral symphony that never will depart.
In Salem, darkness lingers—truth and legend both confined—
Where every trial echoes, and the past is never left behind. | |
Annabelle – Watching. Waiting ( ITS )
In a chamber starved of sunlight, where dust blurs every edge,
Annabelle sits in her coffin of glass—unblinking, relentless, dredged
From history’s darkest margins, stitched lips promising nothing but dread,
Her painted gaze, lacquered and bright, watches the living, dances with the dead.
The wallpaper peels in apology, each shadow crawling slow,
As if the room itself knows secrets it’s afraid to show.
A ragdoll’s smile sewn crooked, a promise of childhood spoiled,
A terror wrapped in innocence, malignancy perfectly coiled. | Her eyes—lacquered buttons, sinister, reflect all who dare draw near,
Shining with something inhuman, some memory too twisted for fear.
No soul escapes her scrutiny; she catalogues each heartbeat’s rush,
Predator silent behind glass, hungry for a mind to crush.
The light stutters and flickers, as if daring her to move,
While the glass breathes with condensation—sweat from what the spirits prove.
Every sigh is met with silence, every silence with a grin,
Annabelle’s patience is infinite, her longing to begin. | She is more than muslin and yarn, more than a collector’s prize,
Inside her seams, a heart that never beat—just darkness crystallized.
Old whispers snake from her display: a priest’s warning, a skeptic’s frown,
But all bravado cracks at midnight when the museum’s lights go down.
Locked behind the thickest pane, she radiates her chilling might,
An aura seeping through the room, like the blackness of a starless night.
The bravest voices falter, the bravest hands will shake,
For in Annabelle’s presence, even reason starts to break. | In the night’s velvet hush, dreams sour as she invades—
Her small hands grasp at hope, her shadow on the soul cascades.
Some say she moves unseen, a shudder in the still,
Others hear a child’s laugh—an echo promising ill will.
She is both curse and legend, puppet and puppeteer,
A rag doll wreathed in fable, fed by every trace of fear.
Annabelle remains—a warning stitched in time’s own skin,
Watching and waiting, always hungry to begin. | Her history—sprawled in newspaper clippings, in Warren’s trembling voice,
A tale of haunting, possession, and chaos disguised as a toy.
Behind the sealed display, in museum’s silent gloom,
She reigns as an omen—harbinger of someone else’s doom.
No prayer can smother her malice, no relic cleanse her stain,
She sits enthroned in glass—incorruptible, insane.
Annabelle, Queen of the Malevolent, mistress of the night,
She waits, unhurried, undiminished, for someone else to invite
Her shadow into their dreams, to offer up their mind—
For evil, like Annabelle, is never far behind. | In that room, in that silence, as night’s heart grows cold,
She is always there—watching, waiting, her story never old.
Her stitched mouth never smiles, her button eyes never close,
A doll with no forgiveness—her legend only grows. |
Annabelle - Watching. Waiting (Redux) ( ITS )
In A Dim Room Where Shadows Dance On The Wall
Annabelle Sits, Her Gaze A Sinister Call
## Verse 1:
In A Chamber Dim, A Flickering Flame,
Paints Shadows On An Ancient Wall.
Annabelle, Trapped In Her Glass Frame,
A Chilling Beacon For One And All.
Her Eyes, Painted With Eerie Art,
Pierce The Soul, A Chilling Start.
## Chorus:
Annabelle, Raggedy Ann, A Twisted Fate,
A Plaything Turned To Terror's Gate.
Whispers Echo, Secrets Untold,
A Demon's Heart, A Story Cold.
## Verse 2:
Her Gaze Follows, Relentless And Deep,
A Predator's Watch, Secrets To Keep.
Shadows Dance, Her Presence Near,
A Curse Unfolds, Chilling And Clear.
A Darkness Emanates, Unseen And Vast,
From The Seams Of Her Fabric, A Haunting Cast.
## Chorus:
Annabelle, Raggedy Ann, A Twisted Fate,
A Plaything Turned To Terror's Gate.
Whispers Echo, Secrets Untold,
A Demon's Heart, A Story Cold.
## Bridge:
Encased And Locked Away From Sight,
Her Spirit Roams, Taking Flight.
Dread Clings To Her Like A Shroud,
Unseen Hands, A Haunting Cloud.
Her Aura Swirls, A Vortex Black,
Even The Brave, Their Courage Cracks.
## Verse 3:
In Dreams She Appears, A Nightmare's Guise,
Beneath Her Fabric, Darkness Lies.
A Heart Of Frost, Devoid Of Light,
A Tale Of Horror, Taking Flight.
A Doll Possessed, A Spirit's Hold,
Annabelle's Legend, Forever Told.
## Chorus:
Annabelle, Raggedy Ann, A Twisted Fate,
A Plaything Turned To Terror's Gate.
Whispers Echo, Secrets Untold,
A Demon's Heart, A Story Cold.
## Outro:
A Spectral Breath, A Chilling Touch,
Annabelle's Dance, A Macabre Clutch.
Trapped Within Innocence's Guise,
A Sinister Spirit, Forever Disguised.
[Spoken Word]("Feel The Malevolent Force Emanating From The Doll. A Raggedy Ann Doll Believed To Be Possessed By A Demon, Investigated By Ed And Lorraine Warren. The Doll Is Now Kept In Their Occult Museum In A Secure Glass Case.")
In The Silence, You Sense Her Ghostly Breath
A Dance With Danger, A Flirt With Death
The Dargavs Cemetery, Russia- City of the Dead (In The Shadows) (Redux) ( ITS )
Кладбище Даргавс, также известное как «Город мертвых», — это древний некрополь в Северной Осетии, Россия. Странные каменные склепы и мистические легенды делают это место как исторически значимым, так и наводящим ужас.
(Verse 1)
In the shadow of the mountains, where the eagles spread their wings,
Lies the ancient necropolis, where death forever clings,
Stone crypts of Dargavs, silent in their might,
Guarding souls of the departed, through the endless night.
(Chorus)
City of the Dead, where spirits softly tread,
Whispers of the past, in the night’s cold bed,
Stone crypts standing tall, against the mountain’s face,
In the heart of Ossetia, in death’s silent embrace.
City of the Dead, Город мёртвых
(Verse 2)
Legends tell of warriors, and the loved ones laid to rest,
In the sacred stones of Dargavs, where the dead are blessed,
Bones lie in the silence, of centuries gone by,
In the City of the Dead, beneath the Ossetian sky.
(Chorus)
City of the Dead, where spirits softly tread,
Whispers of the past, in the night’s cold bed,
Stone crypts standing tall, against the mountain’s face,
In the heart of Ossetia, in death’s silent embrace.
City of the Dead, Город мёртвых
Город мёртвых, где духи тихо идут,
Шёпот прошлого в ночи найдут.
Каменные склепы у горных высот,
В сердце Осетии смерть их ведёт.
(Verse 3)
Candles flicker softly, in the crypts so cold and dark,
Illuminating shadows, where the living dare not mark,
Ghosts of ancient Ossetians, in the night they roam,
In the stone crypts of Dargavs, they find their eternal home.
(Chorus)
City of the Dead, where spirits softly tread,
Whispers of the past, in the night’s cold bed,
Stone crypts standing tall, against the mountain’s face,
In the heart of Ossetia, in death’s silent embrace.
(Verse 4)
Mountains stand as sentinels, watching over the graves,
In the stillness of the necropolis, where the silence raves,
Mysteries of Dargavs, in every ancient stone,
In the City of the Dead, where the spirits are not alone.
(Chorus)
City of the Dead, where spirits softly tread,
Whispers of the past, in the night’s cold bed,
Stone crypts standing tall, against the mountain’s face,
In the heart of Ossetia, in death’s silent embrace.
Город мёртвых, где духи тихо идут,
Шёпот прошлого в ночи найдут.
Каменные склепы у горных высот,
В сердце Осетии смерть их ведёт.
([Spoken Word]
The Dargavs Cemetery, also known as the “City of the Dead,” is an ancient necropolis in Russia’s North Ossetia. The eerie stone crypts and mysterious legends make it a place of both historical significance and haunting atmosphere.)
Город мёртвых, где духи тихо идут,
Шёпот прошлого в ночи найдут.
Каменные склепы у горных высот,
В сердце Осетии смерть их ведёт.
Fade Out
Город мёртвых, где духи тихо идут,
Шёпот прошлого в ночи найдут.
Каменные склепы у горных высот,
В сердце Осетии смерть их ведёт.
([Spoken Word]
The Dargavs Cemetery, also known as the “City of the Dead,” is an ancient necropolis in Russia’s North Ossetia. The eerie stone crypts and mysterious legends make it a place of both historical significance and haunting atmosphere.
Кладбище Даргавс, также известное как «Город мертвых», — это древний некрополь в Северной Осетии, Россия. Странные каменные склепы и мистические легенды делают это место как исторически значимым, так и наводящим ужас.)
Город мёртвых, где духи тихо идут,
Шёпот прошлого в ночи найдут.
Каменные склепы у горных высот,
В сердце Осетии смерть их ведёт.
Fade Out
Lizzie Borden House, Ma - Axe Me No Questions (Redux) ( ITS )
**Verse 1**
In Fall River Town, Where Secrets Reside,
A Shadow Hangs Thick On The Night's Dark Side.
The Lizzie Borden House, A Place Of Dread,
Where Spirits Walk And The Living Fear Tread.
**Chorus**
Cold Whispers Echo, Secrets They Keep,
Bloodstains On The Walls Where Nightmares Weep.
Lizzie's Ghost Lingers, Forever Unbound,
In The Halls Of This House, A Haunting Sound.
**Verse 2**
The Axe Still Hangs Heavy, A Reminder Of Sin,
A Chilling Reminder Of Where It Has Been.
Each Creaking Floorboard, A Chilling Refrain,
Echoes Of Footsteps That Drive You Insane.
**Refrain**
Whispers Of The Past Tell Stories Untold,
A Tale Of Betrayal, A Darkness Of Old.
Shadows Dance Macabre In Spectral Display,
A Gruesome Ballet In The Dead Of The Day.
**Verse 3**
Ghostly Figures Flit In The Pale, Flickering Lights,
Their Empty Eyes Searching Through Endless Nights.
A Cold Touch Lingers, A Presence Unseen,
A Chilling Reminder Of What Has Been.
**Chorus**
Cold Whispers Echo, Secrets They Keep,
Bloodstains On The Walls Where Nightmares Weep.
Lizzie's Ghost Lingers, Forever Unbound,
In The Halls Of This House, A Haunting Sound.
**Bridge**
Lizzie's Eyes Pierce Through The Veil's Thin Thread,
A Spectral Gaze That Follows The Living Instead.
Her Chilling Presence, A Reminder Of Pain,
Trapped Within These Walls, An Eternal Stain.
**Chorus**
Cold Whispers Echo, Secrets They Keep,
Bloodstains On The Walls Where Nightmares Weep.
Lizzie's Ghost Lingers, Forever Unbound,
In The Halls Of This House, A Haunting Sound.
**Outro**
The House Whispers Secrets On Winds That Moan And Sigh,
Lizzie Borden's Legacy, A Hauntingly Beautiful Lie.
In The Halls Of This House, A Chilling Tale Resides,
Where History's Darkest Secrets Forever Hide.
Axe Me No Questions, I'll Tell You Know Lies.. Chop Chop!
[Spoken Word] ("Every Whisper You Hear Is A Reminder Of The Axe's Fall.The Site Of The Infamous 1892 Axe Murders, The Lizzie Borden House Is Now A Bed And Breakfast Where Guests Can Experience The Chilling Atmosphere Firsthand. Visitors Report Hearing Ghostly Footsteps, Seeing Apparitions, And Feeling An Eerie Presence In The Rooms Where The Murders Took Place.")
Villisca Axe Murder House, Ia- Chop Chop (Redux) ( ITS )
Verse 1
Shadows Crawl Across The Walls, Whispers Echo Through The Halls
An Ancient Farmhouse, Steeped In Dread, Where Spirits Walk Instead.
Ghastly Forms In Flickering Light, Their Eyes Alight With Spectral Fire
Oppressive Darkness, Choking Fear, A Symphony Of Endless Tears.
Chorus
Haunted Halls, Despairing Calls, A Chorus Of Tormented Souls
Every Shadow Hides A Chilling Face, In This Farmhouse, We're Lost In Space.
The Perron's Cries, A Haunting Tune, Trapped In This Spectral Cocoon
Bound By Fear, We Cannot Flee, In This House Of Misery.
Verse 2
Spectral Fingers Graze My Skin, Unseen Horrors Crawl Within
Claws Of Fear Rip Sanity, Echoes Of Their Misery.
Timeless Walls, A Midnight Tomb, Where Shadows Dance And Secrets Bloom
Cold Tendrils Grip My Heart, Tearing It Apart.
Chorus
Haunted Halls, Despairing Calls, A Chorus Of Tormented Souls
Every Shadow Hides A Chilling Face, In This Farmhouse, We're Lost In Space.
The Perron's Cries, A Haunting Tune, Trapped In This Spectral Cocoon
Bound By Fear, We Cannot Flee, In This House Of Misery.
Bridge
Sleepless Nights, Unending Cries, Echoes Of Lost Lullabies
Whispers Dance, A Spectral Trance, In This Haunted, Eerie Dance.
Bound By Chains, Fueled By Pain, We're Swallowed By The Ghostly Flame
Our Sanctuary, A World Of Fear, Where Shadows Hold Us Ever Near.
Chorus
Haunted Halls, Despairing Calls, A Chorus Of Tormented Souls
Every Shadow Hides A Chilling Face, In This Farmhouse, We're Lost In Space.
The Perron's Cries, A Haunting Tune, Trapped In This Spectral Cocoon
Bound By Fear, We Cannot Flee, In This House Of Misery.
Outro
In The Farmhouse Of Shadows, We Dwell, Forever In This Spectral Hell
Bound By Fear, We Cannot Escape, Forever Haunted, Never To Shape
Our Destiny, In This Haunted Place, Lost In The Farmhouse's Chilling Embrace.
[Spoken Word] ("Hear The Echoes Of The Perron Family's Terror. In 1912, Eight People Were Brutally Murdered In This Small House In Villisca, Iowa. The Gruesome Crime Remains Unsolved, And The House Is Believed To Be Haunted By The Spirits Of The Victims. Visitors Often Report Strange Noises, Cold Spots, And The Feeling Of Being Watched.")
The Catacombs, France- 6 Million Screams (Redux) ( ITS )
Verse 1
Beneath Parisian Streets, A Kingdom Grim,
Where Bone And Dust In Shadows Swim.
Whispers Echo, Cold And Low,
Secrets Of The Buried Flow.
Chorus
Six Million Souls Trapped In The Gloom,
A Spectral Tapestry Woven In Tomb.
The Catacombs, A Chilling Embrace,
Where Death's Cold Hand Leaves Its Trace.
Verse 2
Phantoms Linger, Etched In Stone,
Their Mournful Cries Forever Moan.
A Silent Terror, Ever Near,
A Chilling Reminder Of What We Hold Dear.
Chorus
Six Million Souls Trapped In The Gloom,
A Spectral Tapestry Woven In Tomb.
The Catacombs, A Chilling Embrace,
Where Death's Cold Hand Leaves Its Trace.
Bridge
Deeper We Delve, Into The Earth's Hold,
Where Even The Brave Hearts Turn Cold.
Time Stands Still, A Macabre Scene,
Lives Cut Short, Forever Unseen.
Verse 3
Their Voices Rise, A Mournful Choir,
In This City Of Stone, Their Souls Transpire.
The Echoes Linger, A Haunting Refrain,
A Requiem For Those Lost In Life's Game.
Chorus
Six Million Souls Trapped In The Gloom,
A Spectral Tapestry Woven In Tomb.
The Catacombs, A Chilling Embrace,
Where Death's Cold Hand Leaves Its Trace.
Outro
We Emerge From The Depths, Shadows In Tow,
The Catacombs' Secrets In Our Hearts Grow.
The Whispers Follow, A Chilling Decree,
A Reminder Of Mortality, Forever We See.
[Spoken Word] ("Every Shadow Hides The Specter Of A Forgotten Life.The Underground Ossuary In Paris Holds The Remains Of Over Six Million People And Is Reportedly Haunted By Their Restless Spirits. Visitors Report Feeling An Overwhelming Sense Of Dread, Hearing Whispers, And Seeing Ghostly Figures In The Dimly Lit Tunnels.")
Chernobyl Exclusion Zone, Ukraine (In The Shadows) (Redux) ( ITS )
Intro (English):
The Chernobyl Exclusion Zone, once bustling with life, is now a haunting reminder of the nuclear disaster of 1986. This ghostly area in Ukraine is frozen in time, filled with abandoned buildings and eerie silence.
Вступ (Українська):
Зона відчуження Чорнобиля, колись сповнена життя, тепер є моторошним нагадуванням про ядерну катастрофу 1986 року. Ця привидова зона в Україні застигла в часі, заповнена покинутими будівлями та моторошною тишею.
(Verse 1)
In the silence of Pripyat, where whispers softly sigh,
Empty streets and shattered dreams beneath the ashen sky,
Radiation lingers, unseen shadows cast,
In this ghost town of memories, where echoes of the past.
(Chorus)
Ghosts of Pripyat, dance in the night,
Silent testimonies to a blinding light,
Frozen in the moment, lifes left behind,
In the Chernobyl Exclusion Zone, their spirits we find.
(Verse 2)
Classrooms filled with dust, the laughter now decayed,
Children’s toys abandoned, where once they freely played,
Geiger counters clicking, a song of silent dread,
Amongst the ghostly remnants, where the living once tread.
(Chorus)
Ghosts of Pripyat, dance in the night,
Silent testimonies to a blinding light,
Frozen in the moment, life’s left behind,
In the Chernobyl Exclusion Zone, their spirits we find.
(Verse 3)
Hospitals lie barren, where hurried hands once healed,
Books lie open, stories sealed,
Windows cracked and broken, doors forever closed,
In the heart of Chernobyl, where time itself has froze.
(Chorus)
Ghosts of Pripyat, dance in the night,
Silent testimonies to a blinding light,
Frozen in the moment, life’s left behind,
In the Chernobyl Exclusion Zone, their spirits we find.
(Verse 4)
Beneath the towering sarcophagus, the reactor’s deadly core,
Lies a silent witness to what was before,
Nature’s slowly creeping, reclaiming what’s been lost,
In this desolate reminder, of a devastating cost.
(Chorus)
Ghosts of Pripyat, dance in the night,
Silent testimonies to a blinding light,
Frozen in the moment, life’s left behind,
In the Chernobyl Exclusion Zone, their spirits we find.
Привиди Прип’яті танцюють вночі,
Німо свідчать про світло в пітьмі.
Застигли в моменті, життя залишили,
У зоні Чорнобиля ми знайшли їхній дух
З болем і сумом ми пам’ятаємо тих, кого забрала трагедія.
Fade Out
Aokigahara Forest, Japan- Spirits Seeking Peace (Redux) ( ITS )
**Verse 1:**
In Aokigahara's Shadows, Where The Trees Hold Silent Cries,
The Forest Whispers Secrets Of Countless Lost Souls In Disguise.
Each Step Echoes With The Sorrow Of The Ones Who Chose To Die,
The Wind Carries Their Voices, Haunting Beneath The Sky.
**[Refrain]**
The Forest Breathes Despair, In Every Rustle, Every Breeze,
Feel The Sorrow In The Air, A Testament To The Unspoken Pleas.
In The Shadows Lurk The Spirits, Seeking Peace In The Darkened Trees,
Through The Dense And Twisted Paths, Where Sunlight Barely Gleams.
**Verse 2:**
You Feel The Weight Of Despair, Tearing Apart Your Dreams,
Every Shadow Hides A Spirit Seeking Peace From Endless Screams.
Their Whispers Pull You Deeper Into The Forest's Dark Extremes,
Voices Of The Lost, They Echo In The Stillness, A Haunting Melody.
**[Refrain]**
The Forest Breathes Despair, In Every Rustle, Every Breeze,
Feel The Sorrow In The Air, A Testament To The Unspoken Pleas.
In The Shadows Lurk The Spirits, Seeking Peace In The Darkened Trees,
Through The Dense And Twisted Paths, Where Sunlight Barely Gleams.
**Verse 3:**
Every Step You Take, The Darkness Feels Alive With Unseen Eyes,
The Spirits Of The Forest Watch, Their Sorrows Intertwine With Lies.
The Weight Of Their Despair, A Burden You Cannot Disguise,
Their Voices Call Out To You, As The Last Light Of Hope Dies.
**[Refrain]**
The Forest Breathes Despair, In Every Rustle, Every Breeze,
Feel The Sorrow In The Air, A Testament To The Unspoken Pleas.
In The Shadows Lurk The Spirits, Seeking Peace In The Darkened Trees,
Through The Dense And Twisted Paths, Where Sunlight Barely Gleams.
**Bridge:**
In The Heart Of Aokigahara, Where The Silence Screams So Loud,
The Ghosts Of The Past Linger, Wrapped In A Spectral Shroud.
Their Pain Becomes Your Own, In This Forest So Dark And Proud,
The Presence Of The Dead, In This Haunted Place Avowed.
**[Refrain]**
The Forest Breathes Despair, In Every Rustle, Every Breeze,
Feel The Sorrow In The Air, A Testament To The Unspoken Pleas.
In The Shadows Lurk The Spirits, Seeking Peace In The Darkened Trees,
Through The Dense And Twisted Paths, Where Sunlight Barely Gleams.
**Outro:**
As You Leave The Forest Behind, Its Echoes Follow You Still,
The Voices Of The Lost Remain, A Whisper In The Chill.
Their Sorrow Etched In Memory, A Void You Cannot Fill,
In Aokigahara, The Spirits Haunt, And They Always Will.
[Spoken Word] ("Feel The Sorrow In The Air, A Testament To Despair.Also Known As The "Suicide Forest," Aokigahara Is Believed To Be Haunted By The Spirits Of Those Who Died There. Visitors Report Hearing Disembodied Voices, Seeing Shadowy Figures, And Feeling An Overwhelming Sense Of Sorrow In The Forest.")
Flight 401 - 1972 (Redux) ( ITS )
On A Night Of Fire And Twisted Metal, Flight 401 Fell From The Sky
The Wreckage Scattered, Haunting Echoes In The Aftermath
Parts From The Doomed Vessel Salvaged, Brought To Life Again
But With Each Flight, The Ghostly Whispers Began To Ascend
**[Verse 1]**
Infernal Night, Flames Dance High, Metal Screams Its Mournful Cry
Flight 401, Ripped From The Sky, A Ghostly Tapestry Of Debris Lie
Scattered Fragments, Salvaged, Reborn, But Whispers Haunt Them, Night And Morn
Echoing Voices, Tales Untold, The Spirits Of Flight 401, Forever Cold.
**[Chorus]**
(Spoken Word): The Spirits Of Flight 401 Still Haunt The Skies.
**[Verse 2]**
1972, Etched In Memories, A Chilling Reminder Of Mortality
Lost Souls Linger, Their Pleas Remain, Trapped Within The Metallic Plane
Shadows Shift, Faces Appear, Vacant Eyes Filled With Fear
Whispers In The Wind, The Captain's Voice, A Spectral Echo, A Haunting Choice.
**[Chorus]**
(Spoken Word): The Spirits Of Flight 401 Still Haunt The Skies.
**[Bridge]**
Engineers Mend, Hands That Shake, Phantom Touches Leave Their Wake
Lines Blur, Reality Bends, The Living And The Dead Ascend
Night Descends, Shadows Crawl, Restless Spirits Rise And Fall
Trapped In A Loop, Reliving Pain, Forever Bound, Never To Gain.
**[Chorus]**
(Spoken Word): Hear The Echoes Of Flight 401's Final Moments.
**[Verse 3]**
Ghostly Hands On The Controls, Spectral Shadows Fill The Holes
Whispers Fill The Air, Chilling Sight, Passengers Glimpse The Spectral Light
They Fade And Reappear, Bound To This Sphere
Their Presence Lingers, A Constant Dread, A Reminder Of The Living Dead.
**[Chorus]**
[Spoken Word]("Feel The Eerie Atmosphere Of The Haunted Planes. After A Tragic Plane Crash In 1972, Parts From The Wreckage Were Reused In Other Planes, Leading To Reports Of Ghostly Sightings Of The Crew Members On Subsequent Flights. ")
Island of the Dolls (Redux) ( ITS )
In the heart of the Xochimilco canals lies the Island of the Dolls. Dolls with empty eyes and tattered bodies hang from trees, swaying in the breeze. Legend says the caretaker found a drowned girl and hung her doll as a tribute. Now, the island is filled with dolls, each said to house a restless spirit. At night, their eyes seem to follow intruders, and the air fills with whispers and eerie laughter. - --
En el corazón de los canales de Xochimilco se encuentra la Isla de las Muñecas. Muñecas con ojos vacíos y cuerpos desgarrados cuelgan de los árboles, balanceándose con la brisa. La leyenda dice que el cuidador encontró a una niña ahogada y colgó su muñeca como tributo. Ahora, la isla está llena de muñecas, y se dice que cada una alberga un espíritu inquieto. Por la noche, sus ojos parecen seguir a los intrusos, y el aire se llena de susurros y risas inquietantes.
Verse 1
In A Moonlit Grove Where Shadows Creep And Twist,
Hanged Dolls Sway, A Morbid, Blood-Stained Tryst.
Their Eyes, Devoid Of Life, A Haunting Gaze,
The Cursed Island Whispers Secrets, A Grim, Macabre Maze.
Chorus
The Dolls Watch With Lifeless Eyes, Guarding The Island's Cursed Shore,
Hear The Cries Of The Drowned Girl, A Sorrowful, Wind-Swept Roar.
Every Shadow Conceals The Anguish Of A Damned Soul's Eternal Plight,
Feel The Chilling Presence Of The Dolls' Ghostly Sentinel Of Night.
Verse 2
Amongst The Twisted Woods, Darkness Reigns Supreme,
Silence Bellows Like A Scream.
Each Doll, A Sentinel Of Endless Mourning,
Their Tears, A Torrential Yearning.
Chorus
The Dolls Watch With Lifeless Eyes, Guarding The Island's Cursed Shore,
Hear The Cries Of The Drowned Girl, A Sorrowful, Wind-Swept Roar.
Every Shadow Conceals The Anguish Of A Damned Soul's Eternal Plight,
Feel The Chilling Presence Of The Dolls' Ghostly Sentinel Of Night.
Bridge
A Young Girl's Tormented Spirit Wanders, Lost And Alone,
Her Pain, An Eternal, Haunting Monotone.
Spoken Word
The Dolls Watch With Lifeless Eyes, Guarding This Putrid Land.
Chorus
The Dolls Watch With Lifeless Eyes, Guarding The Island's Cursed Shore,
Hear The Cries Of The Drowned Girl, A Sorrowful, Wind-Swept Roar.
Every Shadow Conceals The Anguish Of A Damned Soul's Eternal Plight,
Feel The Chilling Presence Of The Dolls' Ghostly Sentinel Of Night.
Outro
The Island Of The Lifeless Eyes, Forever Haunted By Despair,
Where Darkness Reigns And Shadows Lie, A Chilling Nightmare To Bear.
[Spoken Word]("Feel The Eerie Presence Of The Dolls' Ghostly Guardian.Covered In Dolls Hanging From Trees, The Island Of The Dolls Is Believed To Be Haunted By The Spirit Of A Young Girl Who Drowned There. Visitors Report Hearing Her Cries, Seeing Her Apparition, And Feeling An Eerie Presence On The Island.")
Every Shadow Conceals The Anguish Of A Damned Soul's Eternal Plight,
Feel The Chilling Presence Of The Dolls' Ghostly Sentinel Of Night.
Outro
The Island Of The Lifeless Eyes, Forever Haunted By Despair,
Where Darkness Reigns And Shadows Lie, A Chilling Nightmare To Bear.
[Spoken Word]("Feel The Eerie Presence Of The Dolls' Ghostly Guardian.Covered In Dolls Hanging From Trees, The Island Of The Dolls Is Believed To Be Haunted By The Spirit Of A Young Girl Who Drowned There. Visitors Report Hearing Her Cries, Seeing Her Apparition, And Feeling An Eerie Presence On The Island.")
Fade out
Every Shadow Conceals The Anguish Of A Damned Soul's Eternal Plight,
Feel The Chilling Presence Of The Dolls' Ghostly Sentinel Of Night.
Fade Out
hi. these lyrics are provided for reading. singing along is permitted but not recommended, especially in the car, especially in traffic. hi. — bob, Keeper of the Words (unconfirmed)
