Disclaimer:
On Saturday, August 2, 2025, during a public X (Twitter) Space, 1o1meme verbally agreed to schedule a follow-up discussion with me to address these issues transparently and openly. I subsequently invited 1o1meme to contact me via direct message to arrange a specific day and time that would fit his schedule. As of this writing, no follow-up or confirmation has been received, and in light of current developments, I am formally revoking that invitation.
All information and commentary presented in this article are based on publicly available sources, direct statements, and independently verifiable facts. Every reasonable effort has been made to ensure accuracy and fairness as of August 4, 2025.
Any opinions expressed are personal observations intended for discussion and public interest reporting. No private or confidential information has been disclosed. If any factual errors are identified, I welcome good-faith corrections.
This article is published in accordance with the principles of fair comment, public discourse, and journalistic integrity. Any threats of legal action or attempts at doxxing in response to this reporting will be considered harassment and handled accordingly.
Update, Monday Aug. 4, 2025
Incident Summary:
1o1meme purchased artwork from artist @munahanart for approximately 300 XTZ (~$237.95).
This artwork was subsequently identified as a digital copy of an existing physical artwork by artist Sean Azari (@Sean_Azari).
1o1meme relisted the copied artwork for over 13,000 XTZ (~$13,000) on the Tezos-based NFT marketplace Objkt.
Admission and Confrontation:
Screenshots clearly show 1o1meme acknowledging their mistake publicly, admitting disappointment, and stating explicitly:
” I’m never gonna buy art 🎨 without verifying the source. @munahanart made a mistake. I talked to the original owner Sean Lazari, the owner of rebhorn. He is a great man. I’m sorry Sean Lazari I disturbed you.”
Additionally, Tezomo Pepdici (@TezomoPepdici), a respected community member, confronted 1o1meme strongly:
Criticized 1o1meme for threats allegedly sent via DM.
Demanded an apology for the mishandling and inappropriate interactions.
Accused 1o1meme of misleading artists and undermining trust by incentivizing physical destruction.
Noted that 1o1meme claimed expertise in areas (crypto regulation, copyright, NFT marketplaces, and art markets) yet demonstrated a clear lack of it.
Another screenshot indicated 1o1meme possibly threatening doxxing or exposure of personal details, which escalated tensions further, damaging credibility and community trust.
Original Artist Response:
Sean Azari publicly confirmed via tweet:
” This is my artwork. My brand/signature REBHORN is visible on the girl’s neck… My artist name is Ardeshir Azari, my brand is Rebhorn, my website is rebhorndesign.com. 95% of my art pieces will have my brand signature REBHORN…”
Sean Azari confirmed the authenticity and original source of the artwork, further validating that the NFT purchased by 1o1meme was indeed unauthorized.
🔍 Implications:
1. Lack of Authentication:
The event illustrates that 1o1meme has no robust method to verify originality or copyright ownership, contradicting their core promise of ” one-of-one” exclusivity.
Reveals their curation and vetting process as weak or non-existent.
2. Legal Exposure:
This incident potentially exposes 1o1meme to copyright infringement liabilities, as minting or reselling unauthorized reproductions violates international copyright laws.
Legal actions could theoretically be pursued by the original artist, Sean Azari, depending on jurisdiction.
3. Ethical Breakdown:
Publicly incentivizing artists to burn physical works based on false promises of authenticity and value is ethically problematic, especially given this event.
Any artist now working with 1o1meme may legitimately question the morality and safety of their collaboration.
4. Credibility Damage:
This incident severely undermines 1o1meme’s authority and position as an expert in NFT art marketplaces.
Their reputation within the Tezos community (as evidenced by strong criticism from influential members like Tezomo Pepdici) is clearly damaged.
🚩 Red Flags Confirmed by Incident:
Red Flag Description Status Confirmed?
No Provenance Verification No technological or contractual checks for authenticity. ✅ Confirmed
Legal & Ethical Vulnerability Exposure to copyright infringement and unethical practices. ✅ Confirmed
Reputation Risk Damaged credibility and trust within artist community. ✅ Confirmed
Harassment Allegations Alleged threats and intimidation attempts via DMs. ⚠️ Alleged (supported by screenshots)
1o1meme: Burning Art for “Immortal” NFTs
Overview and Online Presence
1o1meme is a very new crypto-art project (Twitter account created Feb 2025) centered on the Tezos blockchain. They have no official website yet – their activity is primarily on Twitter (now X) and the Tezos NFT marketplace Objkt. On X, 1o1meme describes its mission starkly: “Transform physical art into immortal NFTs through the ritual of fire.”instalker.org In other words, they encourage artists to burn physical artworks and mint them as one-of-one NFTs, claiming this process makes the digital version “immortal” and more valuable.
Despite a modest following (only a few hundred followers as of mid-2025), 1o1meme has been aggressively engaging the Tezos art community. The account often tags official Tezos handles (@Tezos, @TezosFoundation, @TezosCommons) and prominent community members, trying to position itself as spearheading “a new era of art on Tezos.” In a mission statement tweet (apparently pinned), 1o1meme boasted it “will burn and tokenise millions of dollars [worth of art]. The beginning of the new era of art on @tezos.” They proclaim they are “bringing values for artists” (citing “respect, evolution”) and “giving collectors trust to invest in 1/1 NFT (no physical, or art custody).”twitter.com In other words, by eliminating the physical piece entirely, they claim to remove ambiguity over what the “original” is – the NFT becomes the sole remaining form of the artwork, which they argue will attract serious collectors.
The “Ritual of Fire” – Burning Physical Art
At the core of 1o1meme’s model is convincing artists to destroy their physical artworks. The account actively promotes this as a almost spiritual or liberating act. In fact, 1o1meme often uses ritualistic language (“ritual of fire,” “set its spirit free”) when describing it. For example, one artist NOVA (@Novacanvas) who collaborated with 1o1meme tweeted: “✨ I didn’t burn it. I set its spirit free. ‘Ode to the Inner World’… Its body turned to ashes — its soul tokenized on Tezos. Now it lives as a 1/1 in the decentralized realm — where art doesn’t hang… it breathes.”instalker.org. 1o1meme proudly retweeted this. Another artist, ItsNaastaaraan, dramatically burned a painting and tweeted “I CHOOSE TO BE FREE… It’s on auction on objkt for 50 tez” followed simply by “I feel free”instalker.orginstalker.org. These testimonials – amplified by 1o1meme – illustrate how the project pitches the burn as empowering for artists (a cathartic break from “old standards”) and as creating a uniquely rare digital asset.
Why burn the original? 1o1meme’s pitch is that by eliminating the physical copy, the NFT becomes truly one-of-a-kind (a 1/1 edition with “no physical piece” left). They argue this “makes the NFT unique and rare” and that the value of the art “would move up” because “collectors would consider [it] a store of value”x.com. In other words, they are adopting the same logic seen in high-profile stunts like the burning of a Banksy print in 2021 (which was then sold as an NFT) and Damien Hirst’s 2022 “Currency” project where physical paintings were burned when people chose the NFT. By creating artificial scarcity – destroying an otherwise valuable physical artifact – 1o1meme claims the NFT becomes the “original” and thus can command higher pricesx.comx.com. They even cited an AI chatbot’s opinion to bolster this, tweeting that “even @grok agrees with 1o1meme! Burning physical art [makes the] NFT unique and rare; value would move up”
Promises: “Forever” Storage and a Secure Vault
Beyond the dramatic burning ritual, 1o1meme has made technical promises about preserving the resulting digital art. They have talked about designing a new storage system for the NFTs using IPFS (InterPlanetary File System), implying this will keep the art safe “forever” in a secure digital vault. The idea of an immutable, permanent storage is likely meant to assure artists and collectors that once the physical art is gone, the digital token and its image file won’t vanish. However, these claims have raised eyebrows. IPFS itself does not automatically store files eternally – content on IPFS persists only as long as someone (a “node”) pins and hosts itdocs.ipfs.tech. In practice, an “IPFS-based vault” would still require 1o1meme (or a service like Filecoin/Pinata) to actively maintain copies of the artwork data. The “forever” framing thus comes off as hype without details. It’s unclear what infrastructure or funding 1o1meme has to genuinely guarantee perpetual storage. So far, no technical whitepaper or documentation has been published to back this promise – it’s mostly buzzwords on social media. This lack of clarity is a red flag for some observers.
1o1meme also uses the term “secure vault” for storing art. There is no indication they have a physical vault; it appears to refer to that digital/IPFS storage concept. Essentially, once an artwork is burned, presumably the only record is the NFT’s metadata and the image on IPFS. 1o1meme implies they will ensure those files are securely stored (perhaps redundantly across IPFS nodes) and accessible “forever.” Without an official site or documentation, the exact mechanics remain vague – it’s a promise that will require trust in 1o1meme’s technical follow-through.
Hype vs. Reality – Community Reception
Reception in the crypto art community has been very mixed. On one hand, 1o1meme has attracted a number of artists (especially on Tezos) who are intrigued by the concept or seeking new avenues for exposure. A notable portion of supporters are Iranian artists. In fact, 1o1meme recently engaged with many Iranian Tezos artists on X, expressing admiration for Iran’s rich art culture. This led to an outpouring of gratitude from those artists – tweets thanking 1o1meme “for caring about Iranians” and praising its “amazing vision”instalker.orginstalker.org. The project’s inclusivity or outreach to Iranian and other underrepresented artists has earned it some goodwill. A few artists have publicly thanked 1o1meme for purchasing their NFTs or supporting their work (one user wrote “Thank you sooo much @1o1meme for collecting and supporting my works!”) – indicating 1o1meme may be injecting funds into the Tezos art market by buying pieces as wellx.com. All of this is building a community around the project, with talk of “join our community ♥️” to “boost every art piece on Tezos”x.com. From the positive perspective, 1o1meme presents itself as a community-driven revolution in how art can be valued and preserved.
On the other hand, there is significant skepticism and even alarm among many crypto artists and collectors. The idea of destroying physical art is controversial in itself – some see it as a gimmick or irresponsible provocation. More pointedly, experienced members of the NFT community have questioned 1o1meme’s motives and legitimacy. For example, one artist on X challenged the premise directly, asking: “What guarantee is there that after burning the physical artwork, the token owner won’t burn your works as well? This would cause the greatest harm to the artist.”twitter.com This highlights a scary scenario: if the NFT buyer (or 1o1meme itself) were to “burn” or otherwise lose the NFT, the artist is left with nothing – the art would essentially be obliterated. It’s a valid concern in a model where all eggs are put in the digital basket.
Even more bluntly, some community members suspect 1o1meme is a grift preying on artists’ hopes. A well-known Tezos NFT artist publicly wrote that “He wants to use you. Control you. Own you. This isn’t support. It’s manipulation.” and called 1o1meme “a fraud hiding behind tokens and fake ‘opportunities.’” This is a severe accusation, essentially calling 1o1meme a scam. The fact that she tagged several artists (including some who had interacted positively with 1o1meme) in that warning suggests a real concern that 1o1meme could be exploiting naive artists – perhaps by encouraging them to destroy valuable originals for a “fake promise” of future NFT riches. From this skeptic viewpoint, red flags include: the grandiose claims (e.g. “millions of dollars” of art to be burned, “forever” storage), the lack of transparency about who is running it, and the possibility that 1o1meme is mostly hype to pump the value of certain NFTs or a forthcoming token. There’s also a fear of loss: once an artwork is burned, it’s an irreversible step based solely on trust that 1o1meme’s platform will add value – if that fails, the artist has permanently destroyed their work for nothing.
Team, Affiliations, and NFT/Token Ties
Who is behind 1o1meme? So far, the founders or team have not identified themselves by name. The project’s communications use “we,” but no individual credits. There are hints the organizer(s) may be Iranian or closely connected to the Iranian NFT scene, given the targeted outreach. It’s also possible the person behind it is a known NFT collector or investor operating under a pseudonym. For instance, the 1o1meme account is followed or engaged by a user “Everyday Dolores” (Mike Ulliana) who is a crypto investor and art NFT collectorinstalker.org – but it’s not confirmed if he or others are formally part of the team. The absence of a published team roster or LinkedIn presence means we should treat the project as semi-anonymous at this point, which is not unusual in crypto startups but does require caution.
It’s worth noting that despite the name “meme,” 1o1meme is not about typical internet memes or a meme coin. The name likely is a play on “1 of 1” (one-of-one artworks) combined with the viral/hype connotation of “meme.” They have not launched any cryptocurrency token; the value exchange is in Tezos (XTZ) for buying the NFTs and perhaps funding artists. All activity revolves around NFTs – specifically one-off art pieces on Tezos’ Objkt marketplace. In other words, 1o1meme is essentially a niche NFT platform/promotion effort, not a broader crypto-token venture (at least at present). There is no evidence of any smart contract platform or DApp beyond using existing Tezos NFT infrastructure, nor affiliation with known NFT platforms besides Objkt.
Bottom Line – Hype vs. Legitimacy
1o1meme represents an extreme approach to NFT art monetization, reviving the debate about physical vs digital value. They promise that by entrusting them – literally with the fate of one’s physical artwork – an artist could “evolve” and potentially see greater financial rewards in the NFT space. They also pitch collectors that these burned-art NFTs will be ultra-rare “immortal” assets, safely stored and potentially more valuable over time.
However, there are multiple red flags and unanswered questions:
Lack of Provenance and Transparency: The project is very new and run via social media, with no track record. It’s unclear who the founders are and what experience or resources back their promises. This raises trust issues given the irreversible acts they encourage.
Overblown Claims: Terms like “forever storage” and burning “millions of dollars” of art feel like marketing hyperbole. Permanent storage on IPFS is not magic – it requires ongoing effort/cost tech. So skepticism is warranted about whether 1o1meme can deliver on these claims long-term.
Risk to Artists: By destroying the physical original, artists are essentially betting everything on 1o1meme’s platform and the demand for these NFTs. If the NFTs don’t sell well or the platform fizzles out, the artist has lost an irreplaceable creation. Even supporters within the Tezos community have asked what happens if something goes wrong (e.g. if the NFT is deleted or the market crashes)twitter.com. 1o1meme hasn’t provided a reassuring answer to this fundamental concern.
Community Skepticism: Several respected members of the NFT art community have openly criticized 1o1meme’s model as exploitative or fraudulent. The fact that some artists feel the need to “warn others” suggests 1o1meme has not convinced everyone of its legitimacy, and there may be backlash brewing in the community.
No External Validation: As of now, no major crypto-art publication or foundation (Tezos Foundation, etc.) has endorsed 1o1meme. All information comes through 1o1meme’s own channels and those they’ve interacted with. This one-sided narrative can be biased – for example, 1o1meme frequently retweets only the positive reactions (artists thanking them or expressing joy after burning), while downplaying the criticisms. This curation of the message is something to be mindful of.
In summary, 1o1meme is an experimental and controversial crypto-art initiative. It has succeeded in generating buzz – tapping into the spectacle of burning art and the allure of NFTs – and it has genuinely supported some artists by purchasing their work or giving them a new platform. Yet, many signs point to caution. The model of “immortal NFTs” through destruction of physical art walks a fine line between innovative and irresponsible, and it heavily depends on 1o1meme’s own credibility which is still unproven. Until the project provides more concrete details (who they are, how the “forever vault” works, and evidence of sustained collector interest), a healthy dose of skepticism is wise.
Bottom line: 1o1meme offers a bold promise of increasing art value by fire – literally – and storing it on-chain forever, but the art community’s reception is divided. Some embrace the concept as cutting-edge, while others smell smoke and mirrors. Proceed with caution.
What is 1o1meme?
Social-media-only presence: The project runs via a Twitter profile (@1o1meme) launched in early 2025.
Core pitch: Artists are encouraged to literally burn their physical artworks, then mint a 1/1 NFT (one-of-one) on Tezos—often called a “ritual of fire”—with the promise of creating an immortal, ultra-rare, uniquely tokenized asset.
“Secure vault” & “forever IPFS” narrative: They promise to host the NFT’s files on a supposedly permanent IPFS infrastructure, but offer no technical whitepaper or infrastructure details. That claim lacks concrete backing, since IPFS requires active pinning to exist perpetually—a responsibility not clearly defined by them.
No official team disclosure, no website: Everything comes from their Twitter feed and Objkt marketplace listings. The identities of the founders remain anonymous—raising questions about accountability.
Legal & Regulatory Considerations
Intellectual Property & Rights
NFT ownership ≠ copyright: Buyers get the token, not automatically the artwork’s underlying IP rights. Without structured contracts, ownership rights may be misrepresented or misunderstood—particularly if physical works are destroyed first. Instalker+1The One Club+1
Destruction and moral rights: In jurisdictions like the U.S. under VARA, artists retain moral rights (e.g. preventing destruction of their works) and in the EU broader moral rights may apply. Encouraging destruction of physical artwork can conflict with such rights. O’Melveny
Anti-Money Laundering & Fraud Risks
NFTs under AML scrutiny: Since NFTs can facilitate anonymous large-value trades, they may fall under anti-money laundering laws. Art markets are increasingly regulated, and NFTs might eventually be classified under ” antiquities” or similar—triggering due diligence requirements. cardozolawreview.com+1SMU Scholar+1
False advertising risk: Legal action could arise if claims like “forever storage” or guaranteed value appreciation prove misleading. The FTC or other regulators may view this as deceptive marketing if promises are unfulfilled. Gordon Law Group
Privacy & Data Regulation
Immutability vs “right to be forgotten”: In regions governed by GDPR and other privacy laws, individuals have rights to erase personal data. Immutable NFTs stored via IPFS may conflict with those rights if metadata includes personal identifiers. Cointelegraph
Contractual Risk & Platform Terms
Marketplace control: NFT platforms (like Objkt) often reserve the right to freeze or delete accounts and associated artworks. If an artist’s work is removed or platform access is revoked, they could lose the digital piece entirely. Cointelegraph
Ethical Dimensions
Destruction of culturally significant artworks
Burning works—even by consent—raises alarms around cultural heritage, preservation, and environmental impact. A 2023 study flagged destruction of physical art as ethically problematic in crypto art. arXiv+1YouTube+1
Speculation and bubble dynamics
Projects centered on destruction for artificial scarcity carry bubble risk. If the hype dies, those NFTs may lose value quickly—leaving artists with nothing. Ethical concerns arise about financial harm to vulnerable creators. arXiv
Power dynamics & manipulation
Reports from Tezos artists point to psychological pressure to burn, promise-based persuasion, and potential exploitation. Critics have called the model controlling or manipulative.
Resource waste
Burning physical art destroys potentially valuable works. Resource waste—especially environmentally material—can be morally questionable.
✅ Summary Table
Area Considerations & Risks
Identity transparency No identified founders; anonymous operation limits accountability.
Legal rights NFT minting != copyright transfer; moral rights may prohibit destruction.
Regulatory exposure AML laws may apply; deceptive marketing risk.
Privacy compliance IPFS permanence conflicts with data-erasure rights.
Ethical concerns Risk of harming artists, cultural destruction, speculation, environmental waste.
Case Studies: Physical Art Burned for NFTs
Damien Hirst – The Currency (2021–2022)
Hirst created 10,000 handmade paintings, each matched with an NFT. Buyers chose either the physical or the digital version; unchosen physical works were burned. He publicly incinerated 1,000 paintings at his gallery in October 2022. The project raised about $25 million in ETH.
The Guardian later reported that at least 1,000 pieces were actually produced in 2018–19, not 2016 as labeled—raising questions about authenticity and artistic transparency. The Guardian
Burnt Banksy
A collective purchased an original Banksy piece and burned it to convert into an NFT. The project was controversial, seen as cynical manipulation of art-market spectacle.
Takeaway: Intentional art destruction for NFT minting has precedent in high-profile cases. It sparked debate but lacked broad structural safeguards—especially around authenticity, rights, and collector protections.
🌍 International Law & IP Constraints
Copyright & Unauthorized Minting
Minting an NFT doesn’t transfer IP rights. Copyright laws still apply. Unauthorized tokenization or use of someone else’s work can be infringement. Transactions on a blockchain provide ownership proof but not IP ownership.
Moral Rights & Destruction Protections
Many jurisdictions uphold moral rights, including the integrity of a work—protecting creators from unauthorized alteration or destruction.
In the EU, China, India, Brazil, moral rights are ineliminable and perpetual, even posthumously. Legal Blogs+2Wikipedia+2digitalcommons.law.scu.edu+2
In the U.S., VARA (Visual Artists Rights Act) allows authors of works of “recognized stature” to prevent destruction—though works must be registered and recognized to qualify. Wikipedianjordlaw.com
Implication for 1o1meme: Encouraging physical destruction may violate moral rights in many countries—unless artists explicitly waive them in enforceable contracts.
Regulatory Risks
Anti-Money Laundering (AML): High-value NFT transactions often trigger financial regulations. Entities facilitating these could be subject to due diligence requirements.
Advertising law: Promises like “forever storage” or guaranteed value appreciation may trigger scrutiny under consumer protection laws globally if claims are misleading or unfounded.
Privacy & Data Rules
IPFS permanence may conflict with data protection laws (e.g. GDPR) — since immutable records cannot easily satisfy data removal rights.
🧭 Feasibility & Practicality Today
Technical
IPFS ” forever” storage is not automatic. It requires active pinning or the use of paid services (like Filecoin or Pinata) with long-term funding.
There’s no proof 1o1meme has committed infrastructure, legal frameworks, or contracts to guarantee permanence.
Legal
Without legal contracts:
Artists may inadvertently waive moral rights.
Collectors obtain NFTs but possibly no rights to use or license underlying images.
Enforcement is difficult in jurisdictions with lax NFT regulation.
Ethical & Market Realities
Such schemes rely heavily on spectacle to pump scarcity and demand.
If the community rejects the idea or speculation falls, NFTs may lose value overnight—artists are left with nothing.
The model is ethically fragile: it involves destruction of physical culture and incentivizes risk without adequate protection.
✅ Summary Table
Focus Area Case Findings & Implications
Historical Precedents Hirst and BurntBanksy created headlines but lacked transparency or enduring value frameworks.
Moral & Copyright Laws Many countries legally protect against destruction or mutilation; rights may be inalienable.
NFT Legal Contracts NFT ≠ IP ownership; use agreements must be explicit and legally binding.
Technical Viability IPFS permanence needs funded pinning; it’s not automatic or guaranteed.
Market Risks Artificial scarcity is volatile; speculative value may evaporate—with artists bearing the loss.
Ethics & Cultural Risk Burning art as spectacle raises moral questions and potential cultural harm.
Disclaimer:
On Saturday, August 2, 2025, during a public X (Twitter) Space, 1o1meme verbally agreed to schedule a follow-up discussion with me to address these issues transparently and openly. I subsequently invited 1o1meme to contact me via direct message to arrange a specific day and time that would fit his schedule. As of this writing, no follow-up or confirmation has been received, and in light of current developments, I am formally revoking that invitation.
All information and commentary presented in this article are based on publicly available sources, direct statements, and independently verifiable facts. Every reasonable effort has been made to ensure accuracy and fairness as of August 4, 2025.
Any opinions expressed are personal observations intended for discussion and public interest reporting. No private or confidential information has been disclosed. If any factual errors are identified, I welcome good-faith corrections.
This article is published in accordance with the principles of fair comment, public discourse, and journalistic integrity. Any threats of legal action or attempts at doxxing in response to this reporting will be considered harassment and handled accordingly.
Sources: Transform physical art into NFTs tagline instalker.org; Nova’s “spirit free” burn story instalker.org; ItsNaastaaraan’s burn statements instalker.orginstalker.org; Project’s claims on Tezos and value twitter.comx.com; IPFS permanence discussion docs.ipfs.tech; Community skepticism on X twitter.comx.com.